Max Dalton

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Max Dalton
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BornApril 9, 1975
Buenos Aires, Argentina
NationalityArgentine
CitizenshipArgentina
Occupation
  • Illustrator
  • Painter
  • Occasional musician
  • Writer

Max Dalton (born April 9, 1975) is an illustrator, painter and occasional musician and writer, best known for his illustrations of The New York Times bestsellers[1] The Wes Anderson Collection books, written by Pulitzer Prize nominee Matt Zoller Seitz, and pop-culture inspired posters. He also creates illustrations for books, magazines, newspapers, advertising and products.

Career

He’s mostly self taught in the graphic arts[2].

Dalton is represented by Spoke Art Gallery. He participated in many group and solo art shows in New York, San Francisco, Los Angeles, Arizona, Paris, Seoul and more[3][4][5].

His work has been published in renowned magazines such as The New Yorker[6][7][8][9], Monocle (brand)[10][11] and O, The Oprah Magazine[12].

Personal Life

Dalton was born and raised in Buenos Aires, Argentina in an Austrian Jewish - Okinawan family[13]. He lives in Berlin, Germany.

Bibliography

The Lonely Phone Booth ( 2010, Written by Peter Ackerman (playwright)|Peter Ackerman, published by David R. Godine), later produced as a musical at the Manhattan Children’s Theatre;

Extreme Opposites (2012, published by David R. Godine);

The Lonely Typewriter (2014, Written by Peter Ackerman, published by David R. Godine);

Mad Men Carousel (2015, written by Matt Zoller Seitz, published by Abrams Books);

The Screaming Chef (2017, Written by Peter Ackerman, published by David R. Godine);

Breaking Bad 101 (2017, written by Alan Sepinwall, published by Abrams);

Everything I need to know I learned from Fred Rogers|Mister Rogers (2019, written by Melissa Wagner and Fred Rogers Productions, published by Crown Publishing Group).

References

  1. "Culture Books - Best Sellers - Books - April 12, 2015 - The New York Times". The New York Times. ISSN 0362-4331. Retrieved 2021-12-17.
  2. "Illustrations Reveal How Famous Artists Create Masterpieces in Very Different Studios [Interview]". My Modern Met. 2021-05-06. Retrieved 2021-12-17.
  3. McFarland, Kevin. "Breaking Bad Meets Where's Waldo? in a Pop Culture Art Show". Wired. ISSN 1059-1028. Retrieved 2021-12-17.
  4. Lussier, Germain (2015-03-31). "Max Dalton Solo Show: Unique Pop Culture Art in San Fran". SlashFilm.com. Retrieved 2021-12-17.
  5. "스타워즈·기생충 등 명화, '맥스 달튼' 그림으로 재창조…국내서 최대 규모 개인전". 뉴스웍스 (in 한국어). 2021-04-17. Retrieved 2021-12-17.
  6. Nast, Condé (2020-12-02). "Why Do We Still Love "The Office"?". The New Yorker. Retrieved 2021-12-17.
  7. Nast, Condé (2021-04-02). "Josh Thomas's Comedy of Self-Diagnosis". The New Yorker. Retrieved 2021-12-17.
  8. Nast, Condé (2019-08-16). "Fall Art Preview". The New Yorker. Retrieved 2021-12-17.
  9. Nast, Condé (2020-08-26). "Charles Dickens at the Movies". The New Yorker. Retrieved 2021-12-17.
  10. "Asia - Issue 23 - Magazine". Monocle. Retrieved 2021-12-17.
  11. "New world order - Issue 23 - Magazine". Monocle. Retrieved 2021-12-17.
  12. "Login • Instagram". www.instagram.com. Retrieved 2021-12-17. {{cite web}}: Cite uses generic title (help)
  13. "일러스트레이터 맥스 달튼". 아레나 (in 한국어). 2021-03-16. Retrieved 2021-12-18.

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