Lotfollah Taraghi

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Lotfollah Taraghi (Persian: لطف‌الله ترقی), born 1903 (1282 Solar Hijri calendar) in Qom, Iran, died 1973 (1352 SH) in Tehran, Iran,[1] was an Iranian scholar (adib), journalist, publisher, lawyer, and Parliamentary counsel.[2][3] He is the father of the Iranian author Goli Taraghi.

Career as journalist

Lotfollah Taraghi was a well known landowner and in the 1940s he owned most of the Mahmoodieh area in Tehran.[4] He was Patriotism in political orientation and has been described as one of the five most famous Mass media in Iran|Iranian journalists in the 1941-57 period.[5] In 1929 he launched a social and literary journal, Taraghi ("Progress") and continued as its director and chief editor until its closure in 1965.[6][7] He also founded and was the editor of the literary journal Āsiā-ye javān (Young Asia) for some time.[8]

Historical fiction writings

Illustration on the book cover of the first edition of Naseroddin Shah's Love-Affairs (1960) Lotfollah Taraghi had a deep interest in Historical fictions and stories.[9] He is primarily known for his popular short story collection Naseroddin Shah's Love-Affairs ('Eshqbāzihā-ye Nāseroddin Shāh), which depicts the life in the harem of the Qajar Iran Naser al-Din Shah Qajar. The stories are focused on Jeyran (wife of Naser al-Din Shah), the king's first Mistress (lover)|mistress and subsequently favourite wife.[10]

Taraghis book Naseroddin Shah's Love-Affairs ('Eshqbāzihā-ye Nāseroddin Shāh) provided inspiration for the Iranian historical romance television series Jeyran (TV series)|Jeyran (جیران, 2022), written and directed by Hassan Fathi.[11]

Selected work

  • The Djinn in the Hamam of Sangalaj (Jenn dar hammām-e Sangalaj) (1928)[12]
  • The Indian Lady (Bānu-ye hendi) (1930)[13]
  • Baghdad Nights: Harun al-Rashid's Love for the Daughter of the Iranian General Azarin (Shab-hā-ye Baghdād: Deldādegi-ye Hārun be doxtar-e Āzarin sardār-e irāni) (2 vols.) (1952)[14]
  • Naseroddin Shah's Love-Affairs ('Eshqbāzihā-ye Nāseroddin Shāh) (1960). Re-published several times as Jeyran and the Secrets of Naseroddin Shah's Harem (Jeyrān va asrār-e haramsarā-ye Nāseroddin Shāh)[15]

References

  1. Nasrollah Shifteh, Zendegināme va mobārezāt-e siāsi-ye Mohammad Mas'ud, ruznāme-mard-e emruz (The Life and Political Struggle of Mohammad Masud, A Journalist of Today), Tehran, 1984, p. 355.
  2. Hasan Abedini, Farhang-e Dāstān-nevisān-e Irān (Lexicon of Iranian Short Story Writer), Tehran, 1990, p. 54.
  3. "گلی ترقی از خودش و آثارش گفت/ «همه چیز برای من قصه است»". Mehr News Agency. January 2014. Retrieved 22 January 2023.
  4. Dariush Pourkian, The Battered Generation, London, 2022, chapter 1.
  5. Iran Nameh: Journal of the Foundation for Iranian Studies, vol. 16, Bethesda, 1998.
  6. Goulia Ghardashkhani, Another Place: Identity, Space, and Transcultural Signification in Goli Taragqi's Fiction, Leiden, 2018, p. 2.
  7. Mir Ansari, Ali (September 2019). "Taraghi (ترقی)". Great Islamic Encyclopedia. Center for the Great Islamic Encyclopedia. Retrieved 23 January 2023.
  8. Franklin Lewis, "Review: Winter Sleep by Goli Taraqqi (translated by Francine Mahak)", Iranian Studies (journal)|Iranian Studies, vol. 32: 1, 1999, p. 167.
  9. Hasan Abedini, Farhang-e Dāstān-nevisān-e Irān (Lexicon of Iranian Short Story Writer), Tehran, 1990, p. 54.
  10. Staci Gem Scheiwiller, Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography Desirous Bodies, New York & London, 2016, p. 44.
  11. Ghavizari, Narges (September 2022). "بهترین دیالوگ های سریال جیران". Filimo Shot. Retrieved 22 January 2023.
  12. Goulia Ghardashkhani, Another Place: Identity, Space, and Transcultural Signification in Goli Taragqi's Fiction, Leiden, 2018, p. 2.
  13. Goulia Ghardashkhani, Another Place: Identity, Space, and Transcultural Signification in Goli Taragqi's Fiction, Leiden, 2018, p. 2.
  14. Hasan Abedini, Farhang-e Dāstān-nevisān-e Irān (Lexicon of Iranian Short Story Writer), Tehran, 1990, p. 89.
  15. Hasan Abedini, Farhang-e Dāstān-nevisān-e Irān (Lexicon of Iranian Short Story Writer), Tehran, 1990, p. 89.

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