Verity Susman

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Verity Susman
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Background information
Also known asVera November
OriginBrighton, England
Genres
  • Alternative rock music
  • Post rock
  • Experimental music
  • Electronic music
  • Art rock
  • Baroque pop
Occupation(s)
  • Songwriter
  • Lyricist
  • Composer
  • Arranger
  • Singer
  • Instrumentalist
  • Record producer
Instruments
  • Vocals
  • piano
  • keyboard instrument
  • saxophone
  • clarinet
  • recorder (musical instrument)
  • guitar
  • sampler (musical instrument)
Years active1998–present
Labels
  • Too Pure
  • Let's Rock Records
Associated acts
  • Electrelane
  • Matthew Simms
  • This Beat is Lezbotronik
Websitewww.veritysusman.com

Verity Susman is an English songwriter, composer, singer and multi-instrumentalist. She is best know as frontwoman and founding member of the English indie rock band Electrelane.

Music career

Following classical piano and clarinet/saxophone lessons as a child and teenager, Susman formed the band Electrelane with drummer Emma Gaze soon after leaving school. The band released four albums, an EP, multiple singles and a Singles, B-Sides & Live compilation album between 2000 and 2007. Verity was lead singer and played keyboards, guitar and saxophone in the band. As they evolved from the post-rock sound of their mostly instrumental first album Rock It to the Moon, Verity Susman grew bolder in her role as the arranger and main songwriting force in the band. She took on singing and lyric-writing duties on their acclaimed second album The Power Out, also composing and arranging a song for choir called The Valleys, with lyrics drawn from Siegfried Sassoon's poem A Letter Home.[1] Both this album and the following, more experimental, Axes (album), were recorded by Steve Albini at Electrical Audio. Albini praised Susman's musical abilities during an Q & A saying "Verity is a fantastic musician with the capacity to hear impossibly complex arrangements in her head, and I admire that".[2]

In 2007, Susman started performing live and releasing music as the solo project Vera November. The single Red Dream was released as part of Too Pure Singles Club in 2007.[3] She also took part in Jens Lekman's Arthur Russell (musician) cover project, singing Our Last Night Together on Rough Trade Records Four Songs by Arthur Russell compilation EP. Writing for Pitchfork (website), Mark Hogan declared: "Susman steals the show,(her) flitting, double-tracked vocals give the melancholy lyrics an emotional reality only heightened by her bare, evocative piano playing (Lekman name-checks Satie).[4] Susman's version of the song was remixed in 2012 by Nicolás Jaar for his Essential Mix Last Night Together (You're Coming Back Edit).[5] [6]

In the 2010s, Susman deepened her composition skills with a Master of Music degree in Studio Composition from Goldsmiths University of London.[7] This led her to compose several Electroacoustic music, focusing particularly on cut-up spoken word in works akin to forms of Sound collage and Sound poetry. This experimentalism informed subsequent compositions, including most notably a commission by The Wire (magazine) for their John Cage Centenary concert series in 2012; and in 2013, a commission by Scottish Film to perform a live original soundtrack for the 1922 Benjamin Christensen film Häxan as part of British Film Institute Gothic Season .[8] [9] Verity's performances of the soundtrack in Edinburgh, Dundee and Glasgow proved popular and she was asked to reprise the live score in Paris in 2019.[10] Further commissions followed, including a soundtrack for contemporary dance company Project O's Voodoo performance at Sadler's Wells Theatre in 2017.[11] Susman composed her first original soundtrack for a feature film in 2013 when French filmmaker Katell Quillévéré asked her to write the score for the Adèle Haenel-starring Suzanne (2013 film).[12] That same year, she used Soundcloud to release some solo tracks under her own name; the song To Make You Afraid was singled out as a Baroque Pop gem by Pitchfork (website).[13] Also in 2013, Verity performed Pauline Oliveros' score To Valerie Solanas and Marilyn Monroe in Recognition of their Desperation in an art film by Pauline Boudry %26 Renate Lorenz, with fellow musical artists Peaches (musician) and Rachel Aggs amongst others.[14]

Throughout the 2010s, Verity diversified the scope of her live performances, performing solo shows of ever-evolving new material, often involving multimedia elements, most notably at Yoko Ono’s Meltdown (festival) and in support of the band Savages (band) and French singer Étienne Daho.[15] [16] [17] During this time, she was also playing saxophone in free improvisation groups, including with The London Improvisers Orchestra, with Maya Dunietz, and in groups including Steve Beresford and fellow Too Pure alumnus Matthew Simms (It Hugs Back, Wire (band)|Wire).[18] [19] [20] It is with the latter that Susman started working during the pandemic on soundtracks to the Sonia Gonzalez-directed documentary Women Against The Bomb and the Kevin Hegge-directed documentary Tramps!.[21] Both documentaries premiered in March 2022 (the former being televised). Verity Susman and Matthew Simms have officialised their partnership as "Susman and Simms".[22]

As a guest musician-writer , Verity has recorded piano and keyboards on songs by Taken By Trees and Étienne Daho, and saxophone on songs by Beatrice Dillon, Frànçois & the Atlas Mountains, Trash Kit, It Hugs Back and Bamboo.[23] She has performed live as a guest musician with The Raincoats, Deerhunter and The Hidden Cameras.[24] [25]

Verity is currently putting the finishing touches to her debut album as a solo artist.

References

  1. "Tim's Twitter Listening Parties".
  2. Steve Albini (2007-07-05). "Ask a music scene micro celebrity". Two Plus Two Archives.
  3. "Vera November, Red Dream - record release page". Discogs.
  4. Mark Hogan (2008-01-16). "Four Songs by Arthur Russell review". Pitchfork.
  5. "Nicolás Jaar – The Essential Mix (BBC Edit) release page". Discogs.
  6. "Vera November — Last Night Together (You're Coming Back Edit)". youtube.
  7. Nick Argyriou (2012-03-20). "The Return of Electrelane". Broadsheet.
  8. Louise Gray (2012-11-14). "Review: Cage Rattling, King's Place". The Arts Desk.
  9. "Filmhouse Projects". Filmhouse Cinema.
  10. "CINE CONCERT DU FILM HAXÄN PAR VERIY SUSMAN". Les Femmes s'en Mêlent.
  11. Francesca Marotto (2017-05-13). "Review: Project O Voodoo – Questioning Predominant Ideologies". The Wonderful World of Dance.
  12. "Suzanne English Press Kit" (PDF). Unifrance.
  13. Laura Snapes (2013-01-10). "Reviewed: Verity Susman, To Make You Afraid". Pitchfork.
  14. "To Valerie Solanas and Marilyn Monroe in Recognition of their Desperation". Pauline Boudry/Renate Lorenz.
  15. April Welsh (2013-06-27). "Theory Into Practice: Yoko Ono's Meltdown Festival Reviewed". The Quietus.
  16. Jeremy Leclerc (2013-02-23). "Savages, Verity Susman, Paris, Nouveau Casino". Sound of Violence.
  17. "Etienne au Festival Days Off". Dahofficial. 2013-07-01.
  18. "List of musicians who have performed with The London Improvisers Orchestra". London Improvisers Orchestra.
  19. "Maya Dunietz + Christoph Heemann + Verity Susman + Mines". Time Out.
  20. "Verity Susman, Steve Beresford + Matthew Simms @ Cafe OTO". Youtube. 2015-03-29.
  21. "Women Against the Bomb". Andana Films.
  22. "Susman and Simms".
  23. "Verity Susman, Instruments and Performances". Discogs.
  24. Sean Kitching (2013-07-01). "A Farewell To Camber In The Spring: Deerhunter's ATP". The Quietus.
  25. "The Hidden Cameras @ Bush Hall". Vanity Project. 2014-01-29.

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