Steffen Krebber
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Steffen Krebber | |
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| Born | March 18, 1976 Stuttgart |
| Nationality | German |
| Occupation | Composer, Sound artist, Researcher |
Steffen Krebber (born 18 March 1976 in Stuttgart) is a German composer, sound artist, and researcher.
Biography
Stefen Krebber studied composition with Marco Stroppa, Rebecca Saunders and Caspar Johannes Walter.[1] His work encompasses computer-generated music, instrumental and electroacoustic compositions, as well as sound art and language-based installations.
Work
Krebber’s works have been performed at various events, including the Gaudeamus Muziekweek[2] and the Wittener Tage für neue Kammermusik. One of his language installations, Weissagungen, is part of the collection of the Kolumba art museum in Cologne.[3]
In his sound art, Krebber explores the spatial and physical presence of sound, creating installations that immerse listeners in complex auditory environments. His research takes an interdisciplinary approach, combining scientific and artistic methods to gain new insights into sound and music. Linguistic aspects play a role in his works, where he employs language both aesthetically and conceptually.
Epistemology is central to his practice, as he investigates the limits and possibilities of knowledge through sound and music. Sociological themes are also reflected in his projects, examining the social and cultural contexts of music and sound.
In his book sinusoidal run rhythm, Krebber introduces a new theory of rhythm that defines rhythm as a wave, expanding beyond traditional discrete temporal values to include microtemporal and dynamic weightings. The core of this theory is that any irreducible combination of integer-frequency cosine functions yields a unique microtemporal grid and thus a specific sense of “grooviness.” This theory can serve both as an interpretive model for beats and meters, and as a generative tool for computer music.[4]
Awards
Krebber has received numerous grants and awards, including from the Akademie Schloss Solitude,[5] the Künstlerhof Schreyahn,[6] and the Kunststiftung Baden-Württemberg.[7]
Publications
Selected Books & Articles
- sinusoidal run rhythm. Wolke, Hofheim am Taunus 2023, ISBN 978-3-95593-141-4.
- Denkende Dinge Amphiferenz und animistischer Twist, Köln, 2019, Musiktexte 163[8]
Selected Compositions
- Aufstieg und Fall außerweltlicher Flug- und Kriechtierattrappen (2008)
- Nichtsattrappen 0′03″ (2010)
- zimzum (2010)
- Konfusion I (2011)
- Konfusion IV (2012)
- Laufzeitumgebung (2013)
- faire signe (2014)
- Streichquartett I (2014)
- Konfusion IIa (2015)
- Obdach//Wohnung (2015)
- style study (2015)
- Amphiference (2019)
- Are You Prepared Experience (2019)
- Sprechende Ohren (2024)
Selected Sound Art Works
- The Modernist Anticlock (2019)
- INTERLACE ALPHA (2023)
References
- ↑ Media, ddp (7 April 2010). "Deutscher Depeschendienst (now AP)". Neue Musik Zeitung (Newspaper). Retrieved 19 December 2024.
- ↑ "Concerts - Gaudeamus Muziekweek". Retrieved 28 June 2024.
- ↑ "Kolumba – Weissagungen" (in German). Retrieved 24 June 2024.
{{cite web}}: CS1 maint: unrecognized language (link) - ↑ Krebber, Steffen (2023). sinusoidal run rhythm. Wolke. ISBN 978-3-95593-141-4.
- ↑ "Steffen Krebber – Akademie Schloss Solitude". Retrieved 21 June 2024.
- ↑ "Stipendiaten Schreyahn" (in German). Retrieved 27 June 2024.
{{cite web}}: CS1 maint: unrecognized language (link) - ↑ "Stipendiaten – Kunststiftung Baden-Württemberg" (in German). Retrieved 28 June 2024.
{{cite web}}: CS1 maint: unrecognized language (link) - ↑ Krebber, Steffen (2019). "Amphiferenz und animistischer Twist." Musiktexte. 163. Retrieved 19 December 2024.
External links
This article "Steffen Krebber" is from Wikipedia. The list of its authors can be seen in its historical. Articles taken from Draft Namespace on Wikipedia could be accessed on Wikipedia's Draft Namespace.