Ron Meyers (potter)

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Ron Meyers
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Born1934 (age 89–90)
Buffalo, New York
NationalityAmerican
CitizenshipUnited States of American
OccupationPotter

Ronald (Ron) Meyers (born 1934 in Buffalo, New York|Buffalo, NY[1]) is a noted American studio potter and ceramics teacher known for producing functional pottery featuring animal and human forms[2] [3]. His work is featured in numerous museums and notable collections, including the Smithsonian American Art Museum[4], the Georgia Museum of Art[5], and the Rosenfield Collection[6], and he has presented more than 100 workshops in the US and internationally[7]. He has been described as "one of his generation's most important potters"[8] and "an icon of the American ceramics community."[9]

Biography

Early Life and Education

Meyers was born in Buffalo, NY, in 1934. His family cottage along Lake Erie in Irving, New York|Irving, NY, would later become the site of his summer studio, and he credits his comfort there to his childhood connection. "All the family ghosts are there. It's a blue collar area. I just feel real comfortable there. It's just a nice place to be - I remember my past there and I want to stay connected with it."[1]

Meyers' parents encouraged him to pursue the arts after seeing a poster he drew in middle school. As noted in a 2016 exhibition at Auburn University, "When continuing on to high school he enrolled in the art program and discovered a love for comic books. It was not so much their stories, but rather the stark black-and-white drawings of femmes fatales in comics like Terry and the Pirates (comic strip)|Terry and the Pirates and Steve Canyon|Steven Canyon that captured his attention."[10]

Meyers earned his Bachelor of Science (1956) and Master's degree|Masters degree (1961) in Art Education from the Buffalo State College|State University College at Buffalo, followed by his MFA in Pottery|Ceramics (1967) from the School for American Craftsmen at the Rochester Institute of Technology[11] [12] where he studied under noted potter Frans Wildenhain. Wildenhain and Hobart Cowles served as advisors for his MFA thesis, "Ceramic hibachis and serving dishes".[13]

Teaching Career

He taught ceramics at the University of South Carolina from 1967-1972, and then at the University of Georgia from 1972 until his retirement in 1992[14]. He remains an emeritus faculty member of the Lamar Dodd School of Art at the University of Georgia. In 2019, the Lamar Dodd school launched a student support fund to raise the necessary capital to endow the Ron Meyers Graduate Award in Ceramics, which will be awarded annually in honor of Meyers' legacy.[15]

Post-Retirement

In 1995, the Museum of Arts and Sciences (Macon, Georgia)|Museum of Arts and Sciences in Macon, Georgia, hosted a retrospective show titled "Ron Meyers: Thirty Years", featuring 75 works.[16] In 2008, the Northern Clay Center in Minneapolis, Minnesota, inducted him as a Regis Master, which seeks to honor "senior artists who have had a major impact on the development of 20th and 21st century ceramics." Past recipients include Don Reitz, Val Cushing, Nino Caruso, Gutte Eriksen, and Paul Soldner[17], and Meyers later said he was "awestruck" at the honor as he was a C student most of his life.[18] That same year, he was awarded the Excellence in Teaching Award by the National Council on Education for the Ceramic Arts.

In 2013, the Arkansas Arts Center hosted "Ron Meyers: A Potter's Menagerie", billed as "the first comprehensive exhibition of the artist's work", featuring "more than one hundred ceramics in a variety of forms."[19] Also in 2013, fellow potter and former student[20] George McCauley released a film about Ron's work titled "Ron Meyers and the Usual Suspects,"[21] [22] which screened at numerous locations including the Mobile Museum of Art.[23] The 'usual suspects' in the film's title refer to the animals that recur frequently in Meyers', including pigs, rabbits, rats, fish, cats, etc.[24]

Work

Meyers is known for his functional pottery, including plates, cups, bowls, vases, teapots, and other usable forms.[25] His primary work is Potter's wheel|wheel-thrown, though he also has a body of sculptural work including candlesticks and masks, as well as drawings. His earlier works were primarily in stoneware before switching to low-fire earthenware in the late 1970s-1980s[26]. In the mid-1990s, Meyers expanded his work to include low-fired, Salt glaze pottery|salt-glazed pieces, about which he said, "I needed a vehicle to reduce the color and instill a pure sense of form."[27]

He is noted for the "spontaneous and gestural"[28] but "casual and relaxing manner" of his work and the colored slip paintings they incorporated[29]. The slip paintings on his vessels can be seen as "funny, pointed, provocative and/or confrontational."[30] Notably, the vast majority of his work is unsigned.[31]

His main studio is outside his home in Athens, Georgia, and includes an anagama kiln.[32] He built his summer studio behind his family cottage in Irving, NY.

Influences

Meyers' cited influences begin with his childhood interest in cartoons, and his later interest in Japanese Shino ware and English slipware of the 16th through 18th centuries.[33] He noted a memorable encounter with a 16th century Japanese Shino water ewer at the Royal Ontario Museum of Arts, saying "it had a crooked spout, finger marks, a drippy, grazing glaze, a handle slightly askew...It seemed to revel in its blemishes and technical faults. It was the spirit or approach...that I was after."[34] Likewise, he noted that English slipware had a "playfulness and sense of humor...these pieces had a naive quality, lack of pretense, no-guilt approach...it was this attitude...that I wished to adopt."[35] Others have noted influences including Pablo Picasso, Marc Chagall, Bernard Leach, and Shōji Hamada|Shoji Hamada.

Relationships

Meyers studied under Frans Wildenhain at the Rochester Institute of Technology. He later said, "What I was to really learn from Frans was the type of commitment and passion that it took to be an artist. Frans' whole life revolved around his work, and it was inspiring to see how his work and environment reflected his awareness and concern for nature and life itself."[36] Meyers noted that Wildenhain expressed "subtle disapproval" for his choice to base a thesis on ceramic hibachis and serving dishes, noting "To say that Frans was delighted by my choice would definitely be a gross exaggeration."[37]

Meyers is also a long-time friend of noted potter Chuck Hindes, and the two have presented numerous workshops and been featured in gallery shows together.[38] [39]

Collections

Meyers' work is found in numerous museums and notable collections, including:

  • Georgia Museum of Art
  • John W. Bardo Fine and Performing Arts Center at Western Carolina University[40]
  • Rosenfield Collection
  • Smithsonian American Art Museum

File:Ron Meyers Fox and Hare Bowl.jpg|alt=A large ceramic bowl with painted heads of a fox and a hare against a colorful clay background. The artist's fingermarks are visible in black in numerous spots around the rim of the bowl.|thumb|Ron Meyers Fox and Hare Bowl. Earthernware with colored slips and artist fingermarks. Private collection. Date unknown. 12.5" x 12.5" x 2.75"


References

  1. ↑ "Ron Meyers | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-09-20.
  2. ↑ "Meyers | The Marks Project". www.themarksproject.org. Retrieved 2020-09-20.
  3. ↑ Farlowe, Allie (2017-12-13). "Ron Meyers Face Teapot". Kamm Teapot Foundation. Retrieved 2020-09-20.
  4. ↑ "Ron Meyers | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-09-20.
  5. ↑ "Candlestick with Rabbit – Works – eMuseum". localhost. Retrieved 2020-09-20. {{cite web}}: Check |url= value (help)
  6. ↑ "Ron Meyers | Artist featured on The Rosenfield Collection". The Rosenfield Collection. Retrieved 2020-09-20.
  7. ↑ "Past Ceramic Competitions". www.samfa.org. Retrieved 2020-09-20.
  8. ↑ "1072 Society Exhibition" (PDF). University of Auburn. 2016.{{cite web}}: CS1 maint: url-status (link)
  9. ↑ "The Clay Studio | Ron Meyers: New Work". www.theclaystudio.org. Retrieved 2020-09-20.
  10. ↑ "1072 Society Exhibition" (PDF). University of Auburn. 2016.{{cite web}}: CS1 maint: url-status (link)
  11. ↑ "Ron Meyers > Artists > Burchfield Penney Art Center". www.burchfieldpenney.org. Retrieved 2020-09-20.
  12. ↑ "Ronald Meyers - CV (Snyderman-Works Galleries)" (PDF).{{cite web}}: CS1 maint: url-status (link)
  13. ↑ Meyers, Ronald (1967-05-31). "Ceramic hibachis and serving dishes". Theses.
  14. ↑ "Ron Meyers > Artists > Burchfield Penney Art Center". www.burchfieldpenney.org. Retrieved 2020-09-20.
  15. ↑ "The Ron Meyers Student Support Fund in Ceramics". Lamar Dodd School of Art. Retrieved 2020-09-20.
  16. ↑ "Clay Times Back Issues Vol. 1 Issue 1 • Dec 1995". Joomag. Retrieved 2020-09-20.
  17. ↑ "Regis Masters Series | Northern Clay Center". www.northernclaycenter.org. Retrieved 2020-09-20.
  18. ↑ Record, MARGA LINCOLN Independent. "Helenan's film on ceramic artist Ron Meyers to screen Tuesday at Holter". Helena Independent Record. Retrieved 2020-09-20.
  19. ↑ "Ron Meyers - The Arkansas Arts Center". www.arkansasartscenter.org. Retrieved 2020-09-20.
  20. ↑ "Artists in Residence Visits Ron Meyers". Flagpole. 2015-10-07. Retrieved 2020-09-20.
  21. ↑ "George McCauley". MONTANA CLAY TOUR. Retrieved 2020-09-20.
  22. ↑ "George McCauley on developing a unique artistic voice". Tales of a Red Clay Rambler. Retrieved 2020-09-20.
  23. ↑ "Summer Film Series - Ron Meyers: The Usual Suspects". Mobile Museum of Art. Retrieved 2020-09-20.
  24. ↑ "Artists in Residence Visits Ron Meyers". Flagpole. 2015-10-07. Retrieved 2020-09-20.
  25. ↑ Farlowe, Allie (2017-12-13). "Ron Meyers Face Teapot". Kamm Teapot Foundation. Retrieved 2020-09-20.
  26. ↑ Farlowe, Allie (2017-12-13). "Ron Meyers Face Teapot". Kamm Teapot Foundation. Retrieved 2020-09-20.
  27. ↑ "Review: Ron Meyers at AKAR" (PDF). Ceramics Monthly. January 2020: 18–20. January 2005.
  28. ↑ "1072 Society Exhibition" (PDF). Auburn University. 2016.{{cite web}}: CS1 maint: url-status (link)
  29. ↑ "Martin Museum of Art to Feature Recent Work by Chuck Hindes and Ron Meyers, and Cast Iron Sculptures from the Texas Atomic Iron Commission". Martin Museum of Art | Baylor University. 2011-09-14. Retrieved 2020-09-20.
  30. ↑ "The Clay Studio | Ron Meyers: New Work". www.theclaystudio.org. Retrieved 2020-09-20.
  31. ↑ "Meyers | The Marks Project". www.themarksproject.org. Retrieved 2020-09-20.
  32. ↑ "Review: Ron Meyers at AKAR" (PDF). Ceramics Monthly. January 2006: 18–20. January 2006.
  33. ↑ Farlowe, Allie (2017-12-13). "Ron Meyers Face Teapot". Kamm Teapot Foundation. Retrieved 2020-09-20.
  34. ↑ "Clay Times Back Issues Vol. 1 Issue 1 • Dec 1995". Joomag. Retrieved 2020-09-20.
  35. ↑ "Clay Times Back Issues Vol. 1 Issue 1 • Dec 1995". Joomag. Retrieved 2020-09-20.
  36. ↑ "Clay Times Back Issues Vol. 1 Issue 1 • Dec 1995". Joomag. Retrieved 2020-09-20.
  37. ↑ Meyers, Ron (May 31, 1967). "Ceramic Hibachis and Serving Dishes". Rochester Institute of Technology - Scholarly Works.{{cite web}}: CS1 maint: url-status (link)
  38. ↑ "Ron Meyers/Chuck Hindes Workshop – Red Lodge Clay Center". Retrieved 2020-09-20.
  39. ↑ "Recent Work by Chuck Hindes and Ron Meyers, and Cast Iron Sculptures from the Texas Atomic Iron Commission". Calendar | Baylor University. Retrieved 2020-09-20.
  40. ↑ "Western Carolina University". Ceramics. Retrieved 2020-09-20.

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