Preeti Vasudevan

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Preeti Vasudevan
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Born
Chennai, India
Alma materBartenieff/Laban Institute of Movement Studies (CMA certification), NY USA; Laban Centre London (M.A Dance Studies), UK; Takasaki Art Center College (Japanese Govt Cultural Scholarship), Japan; Women's Christian College (B.A Psychology) India; Bharata Kalanjali, Conservatory of Indian Performing Arts (Dance Diploma), India
Known forCross-cultural dance-theater; Storytelling
Notable work
L'Orient, Savitiri, The Absent Lover, Veiled Moon, Stories by Hand, Drumming a Dream, Red Curtain Project, First Voices
StyleBharatanatyam (south Indian classical dance), Contemporary dance-theater
Spouse(s)Bruno Kavanagh
AwardsLincoln Center for the Performing Arts Award for Emerging Artists; Jerome Robbins Dance Division’s Research Fellowship Award; USA Dance Motion Award; US Dept of State Travel Grant Award
Websitewww.threshdance.org

Preeti Vasudevan is an award-winning Indian-born choreographer and cultural storyteller now living in New York City, USA. Her provocative theatrical works redefine individual identity, uniting artists and audiences alike and often focus on the collision of eastern and western aesthetics, pushing for a new expression in art-making. Using dance, music, poetry, visual art, mime, theater and other modalities, Vasudevan invites cutting-edge collaborators to form a 21st-century language of expression. Her storytelling challenges the status quo of dance-theater, bridging ancient traditions with the contemporary world.

Vasudevan has collaborated with celebrated artists such as legendary cellist Yo-Yo Ma, Guggenheim awardee Paul Kaiser, and with leading ensembles like Silkroad. Vasudevan's works have been commissioned and recognized by distinguished institutions including Lincoln Center for the Performing Arts, The Metropolitan Museum of Art, US Department of State, Glimmerglass Opera Festival NY, Guggenheim’s Works & Process, New Victory Theater, Morph Dance Company UK, and The Alliance Francaise, among others. She has been invited to sit on panels at the National Endowment for the Arts US, US Consulate panel on women creatives, Joyce Theater, and Asian American Arts Alliance.

A key focus of Vasudevan's work is rooted in extending her creativity into social impact work for the youth, fostering the next generation of creatives and leaders. She continues to build her programs in this area through her work with underrepresented communities in countries ranging from the Middle East (Lebanon) to South Asia (India) to the Americas (Montana, working with the First Nations Peoples).

Early Life and Education

Vasudevan was born In Chennai, India, and spent her early years in Delhi. Vasudevan stated that she grew up with the influence of her grandparents and great-grandparents, often listening to their wisdom, humor and stories. Vasudevan grew up in a pluralistic and secular India studying at an all-girls Catholic school during her youth, hearing Islamic calls to prayer everyday from outside her school at the local mosque and Hindu verses and chants at home.[1] Her family relocated to Bangalore when Vasudevan was nine years old.[2]

She subsequently began training with U.S. Krishna Rao and Chandrabhaga Devi. Following her father’s relocation to Madras, Rao advised Vasudevan to continue her training with new mentors - VP Dhananjanyan and his wife, Shanta. Vasudevan and the Dhananjayan's son Satyajit were selected as early dance leaders amongst a select group of young artists pan India for the India-International Dance Festival/American Dance festival held in New Delhi in 1991.

During this time, Vasudevan began her studies at the Women’s Christian College in India. She went on to earn a Natyapurna in Bharatanatyam from the Conservatory of Indian Performing Arts in 1991. In 1993, she graduated from the Women’s Christian College, receiving a B.A. in Psychology.

Career

Early in her career, Vasudevan was the recipient of a Cultural Exchange Scholarship from the Japanese Government and went to Takasaki Art Center College in Japan from 1994 to 1995. At the college, she studied Nihon Buyo (Japanese classical dance), pottery, and calligraphy. As part of her exchange she taught Bharatanatyam (classical Indian dance) to Japanese students. She performed for the Indian embassy in Tokyo and worked with the great Japanese dancer and educator, the late Kiitsu Sakakibara.[2] Vasudevan's solo career started at the age of 15, although she continued to perform as a lead performer as part of her teachers' company, The Dhananjanyans', for years to come. In 1993, Vasudevan first came to the United States on a performing visa. She began touring in the U.S. with the Dhananjanyans, performing in lead roles in their productions as well as collaborative projects like the Jungle Book (1996 -1997) with the Ohio Ballet. She was Assistant Director for the production of The Mahabharata in the Island of Reunion. Vasudevan’s first professional theatre production as a choreographer, dancer, and actor was in Indianapolis for the production of the Indian play Nagamandala. During this time, Vasudevan also carried out arts education workshops at juvenile detention centers in the city through the Young Audiences program.[2]

In 1998, Vasudevan was asked by the co-founder of the New York City Ballet, Violette Verdy, to perform in honor of the launch of the International Encyclopedia of Dance. Verdy took on a mentor role to Vasudevan, taking her twice to teach at the Chautauqua Institution and then advising her to move to New York City to further her career. Following a 28-city tour of The Mahabharata, Vasudevan began her next career journey in New York in 1999.[2]

In 2001, Vasudevan went on to obtain her Masters in dance at the Laban Centre in London, graduating as the Valedictorian of her year. Following her graduation, Vasudevan moved to New York in 2003. Her Masters dance thesis earned Vasudevan the Emerging Choreographer’s Award from Joyce Foundation in New York City in 2003.[3] This was followed by an International Choreographic Residency at the American Dance Festival. She went on to take a faculty position in 2004, teaching Contemporary Indian dance and vocal training at the American Dance Festival.[2]

In 2004, Vasudevan founded Thresh, a performing arts nonprofit organization in New York City. Thresh received its nonprofit status (501c3) in 2005. Following the creation of Thresh, Vasudevan (as its artistic director) subsequently embarked upon a nine-city tour in India, performing Strings Unattached - her first trio of contemporary works. Vasudevan spent two years living in India between 2006 and 2008 with her husband, Bruno Kavanagh. During this time, she collaborated with her husband to create and produce an interactive, educational website called Dancing for the Gods, which was used for over 10 years through the Department of Education for New York City public schools as a means of introducing Indian culture to students.[4][2] Vasudevan continued to create and perform noteworthy productions, often bringing together classical Indian storytelling with contemporary Western dance. She choreographed her first full length award-winning production, The Absent Lover, based on the 5th century Indian playwright Kalidasa’s Vikramorvashiyam. The following solo production, Savitiri, earned her seven award nominations at the Mahindra Excellence in Theatre Awards (META) in India.[2]Vasudevan has embarked on numerous educational outreach projects. She led a workshop for dance majors at Hunter College in 2013, presented "Re-Thinking Failure" at TEDx Barnard College in 2013,[5] and led a Winter Dance Intensive with the Mark Morris Dance Group in 2014. She also took on guest workshop and speaking roles at Pace University, the Rubin Museum, Sarah Lawrence College, and Fordham University.

In 2015, she was commissioned by the Metropolitan Museum of Art and created a production called Veiled Moon, inspired by the work of 18th-century female poet, Maha Laqa Bai Chanda.[6] Later that year, Vasudevan officially became a Certified Movement Analyst from the Laban Institute of Movement Studies.

In 2016 and 2017, Vasudevan performed as a special guest at the late legendary baller dance and educator Jacques D'Amboise's National Dance Institute.

In 2016, Preeti was the first Indian Resident Fellow for the Center for Ballet and the Arts at New York University. Vasudevan worked with principal dance for the New York City Ballet, and worked with Amar Ramasar on the development of Etudes, a dance series between two dancers sharing the same heritage but different dance languages.[7] Vasudevan cites one of her mentors, Jacques d’Amboise, as an inspiration during this time. In 2017, she premiered a solo work called Stories by Hand, collaborating with Paul Kaiser. The work was commissioned through a two-year residency by Bill T Jones’ New York Live Arts.[8] She was the first Indian dancer to receive the prestigious 2018 Lincoln Center Award for Emerging Artists, as well as the 2018 Dance Research Fellowship by the New York Public Library for the Performing Arts’ Jerome Robbins Dance Division researching on Merce Cunningham's works in his centennial year.[9]

In 2020, Vasudevan founded the Red Curtain Project, a digital platform for young audiences, seeking to both preserve and bring new life to cultural stories through performance. In its first year, Red Curtain project produced fifteen performances of stories relating to Indian heritage.[10] Vasudevan partnered with the celebrated cellist Yo-Yo Ma to create a children's story called Imbo & Elli.[11] In 2020, Vasudevan (through Thresh) created three digital stories for the Adyan Foundation for the celebration of the 100 Years of Greater Lebanon, working with Arabic stories of war and resilience from senior citizens narrating their stories to the youth.Vasudevan also conceived of the First Voices initiative, an ongoing performing arts collaboration between Thresh and the First Nations community in Montana, focused on ancestral storytelling, traditions, and building leadership amongst the youth.[12] In April 2022, First Voices was premiered and screened at the Yellowstone Art Museum in Montana.[13]

In 2019, Dance Lab NY and the Joyce Foundation selected Vasudevan as one of four female choreographers of color in ballet.[14] Vasudevan developed the early stages of her current work-in-progres dance-opera, L'Orient, which was presented at the Works & Process, Guggenheim Museum.[15] The production seeks to recontextualize the Orientalist gaze. In 2020, during the COVID-19 pandemic, Vasudevan was commissioned by Works & Process to create a virtual work called Upside Down & All Around.[16] Furthermore, Glimmerglass Opera Festival commissioned Vasudevan for a digital performance of a section of their new opera, The Jungle Book, called Bagheera's Aria.[17] In 2021, following a bubble residency at Mount Tremper Arts, commissioned by Works & Process, a new section of L’Orient: Search for the Real Lakmé was presented at Lincoln Center Restart Stages in September 2021.[18]

In the summer of 2022, Vasudevan was Associate director and Choreographer for The Jungle Book, commissioned and presented at the Glimmerglass Youth Opera festival in Cooperstown, NY.[17] Continuing her current production of L'Orient, Vasudevan developed and premiered a new excerpt, "Speaking in Pointe", at the Flea Theater in November 2022.[19][20]

Awards

Award/Recognition Year
Commission, Residency, Works & Process at Guggenheim[21][22][23] 2022
Commission, Residency, Works & Process at Guggenheim[24] 2021
Beirut Award for Cultural Exchange, US Embassy 2020
Joyce Foundation/Dance LabNY Creation Grant for Women Choreographers of Color in Ballet[22][25] 2019
Virginia Toulmin Fellowship for Women Leaders in the Arts, Center for Ballet and the Arts[26][27] 2019
US Dept of State Travel Grant Award[28] 2019
Jerome Robbins Dance Division’s Research Fellowship, NY Library for the Performing Arts[29][22][28] 2018
Lincoln Center for the Performing Arts Award for Emerging Artists[30][27][28] 2018
Labworks Resident Artist, New Victory Theater[31][27] 2018
Selected Artist, DanceMotion USA Fellow-On Program[32][28][33] 2018
Stage Directors & Choreographers Foundation’s Observership Class[32] 2018-2019
Resident Fellow, NYU Center for Ballet and the Arts[27] 2016
Artist in Residence, Live Feed, New York Live Arts[34][35] 2015-2017
Dance Performance Atelier Award, Laban Institute of Movement Studies[32] 2015
TEDxBarnard Presenter[36] 2013
Mahindra Excellence in Theater Awards, 7 nominations[37] 2013
Mahindra Excellence in Theater Awards, Best Choreography, Lighting & Set Design[35] 2009
Emerging Choreographer Series Residency Program, American Dance Festival[38] 2003
International Choreographers Residency Program, American Dance Festival[38] 2003
Outstanding Performance Award, Sri Krishna Gana Sabha 2003
Yuva Kala Bharati award for outstanding achievement in Classical Indian Dance 2003
London Artist Bursary Award, Dance UK 2002
Individual Arts Fellowship, Indiana Arts Commission[39] 2001
Creative Renewal Arts Fellowship, Arts Council of Indianapolis 1999
Cultural Exchange Scholarship, Takasaki Arts Center College 1994
Special Award, Outstanding Solo Performance, Indian Fine Arts Society 1993

Selected Choreography

  • Indian Letters (in development), 2023
    • Launchpad residency, Works & Process, November 2022
    • NYU Center for Ballet and the Arts
  • L'Orient (in development), 2022
  • Bicycle in the Sky (in development), 2022
    • The Flea Theater, Nova 2022
    • Jerome Robbins Dance Division Fellowship, 2018 - 2019
  • Drumming a Dream (in development), 2022
    • Tudor Park, NY
    • LabWorks Residency, New Victory Theater[43]
  • Études (in development)
    • NYU Center for Ballet and the Arts[27]
  • Bagheera's Aria, 2020
  • Upside Down and All Around, 2020
    • Virtual commission by Guggenheim Works & Process[48]
  • Natakam: Play, 2018
    • Lincoln Center for the Performing Arts
    • National Museum of American History
  • Stories By Hand, 2017
  • Veiled Moon, 2015-2016
  • Boxed, 2015
    • Charlotte Ballet's Annual Gala
    • National Dance Institute[61]
  • Beethoven's Sketches, 2013
    • Garden City, present as part of the chamber music
    • Society Sunday Series, NJ
  • Savitri: dancing in the forest of death - dance-theater, 2012-2013
    • Eye on India Festival, The Dance Center at Columbia College Chicago[62][63]
    • META Festival, New Delhi India[64]
    • Adishakti Theater Laboratory, Pondicherry
    • Epic Women Conclave, India[65][66]
  • The Absent Lover - contemporary theater, 2008-2010
    • Birmingham International Dance Festival[67][68]
    • META Festival, New Delhi India
    • Tree of Life Festival, Chennai India[69]
  • Reworking: Past/Present, 2001-2010
    • Laban Center London
    • Butler International Festival
    • Tour of India (9 cities)
    • Strings Unattached Season, The Joyce Theater[70][71]
    • Artwallah Festival, Red Bank, NJ
    • La Mama Dance Festival of South Asian Dance[72]

References

  1. ↑ "In the Studio". Image Journal. Retrieved 2023-02-24.
  2. ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 "Winning world through contemporary dance | Tehelka". tehelka.com. Retrieved 2023-02-26.
  3. ↑ Desk, BWW News. "Preeti Vasudevan's STORIES BY HAND to Premiere at New York Live Arts". BroadwayWorld.com. Retrieved 2023-03-05.
  4. ↑ "Interview - Preeti Vasudevan: An educational first in classical Indian dance Dancing for the Gods". narthaki.com. Retrieved 2023-03-05.
  5. ↑ Rethinking failure: Preeti Vasudevan at TEDxBarnardCollege, retrieved 2023-03-05
  6. ↑ "Feminine Power of the Deccan: Chand Bibi and Mah Laqa Bai Chanda". The Metropolitan Museum of Art. Retrieved 2023-03-05.
  7. ↑ "Preeti Vasudevan". The Center for Ballet and the Arts at NYU. Retrieved 2023-03-05.
  8. ↑ Nast, Condé (2018-09-10). "Preeti Vasudevan's Dance Performance is Based on Hand Gestures". Vogue India. Retrieved 2023-03-05.
  9. ↑ span (2019-01-07). "Telling Stories Through Dance". SPAN. Retrieved 2023-02-24.
  10. ↑ Anantharam, Chitradeepa (2020-04-13). "Dancer Preeti Vasudevan's Red Curtain Project shares Indian stories with the world". The Hindu. ISSN 0971-751X. Retrieved 2023-03-05.
  11. ↑ Hochman, Jerry (2020-07-27). "The Red Curtain Project: More Stories by Hand, Heart and Soul". CriticalDance. Retrieved 2023-03-05.
  12. ↑ Gazette, JACI WEBB For the. "Heart like a tomb: Northern Cheyenne students raise their voices to make art of heartache". Billings Gazette. Retrieved 2023-03-05.
  13. ↑ "Storytelling through Dance". Yellowstone Art Museum. Retrieved 2023-03-05.
  14. ↑ "PREETI VASUDEVAN". DANCE LAB NEW YORK. Retrieved 2023-03-05.
  15. ↑ Guggenheim. "Guggenheim Museum Programming - Guggenheim - Berkshire Fine Arts". www.berkshirefinearts.com. Retrieved 2023-03-05.
  16. ↑ "Upside Down and All Around (2020)". Kamala Sankaram. Retrieved 2023-03-05.
  17. ↑ 17.0 17.1 "Glimpse: The Jungle Book". The Glimmerglass Festival. 2020-07-20. Retrieved 2023-03-05.
  18. ↑ "Preeti Vasudevan's Thresh: Stories by Hand / L'Orient · Lincoln Center". lincolncenter.org. Retrieved 2023-03-05.
  19. ↑ "L'Orient: Setting the Scene". Thresh. Retrieved 2023-02-24.
  20. ↑ Hochman, Jerry (2022-11-27). "Thresh and Preeti Vasudevan: More Stories by Hand, Mind, and Heart". CriticalDance. Retrieved 2023-03-05.
  21. ↑ "Works & Process at the Guggenheim Announces 2021 Creative Bubble Residencies with Support from The Andrew W. Mellon Foundation". The Guggenheim Museums and Foundation. Retrieved 2023-02-06.
  22. ↑ 22.0 22.1 22.2 "PREETI VASUDEVAN". DANCE LAB NEW YORK. Retrieved 2023-02-06.
  23. ↑ Rabinowitz, Chloe. "Works & Process Presents World Premiere Video Performance of L'ORIENT by Kamala Sankaram and Preeti Vasudevan". BroadwayWorld.com. Retrieved 2023-02-06.
  24. ↑ Guggenheim. "Guggenheim Museum Programming - Guggenheim - Berkshire Fine Arts". www.berkshirefinearts.com. Retrieved 2023-02-06.
  25. ↑ "Broadway World: Photo Coverage: Take a Look Inside Dance Lab New York's Collaboration With The Joyce Theater – Dance Data Project". www.dancedataproject.com. Retrieved 2023-02-06.
  26. ↑ "Information - Highlights 2019". narthaki.com. Retrieved 2023-02-06.
  27. ↑ 27.0 27.1 27.2 27.3 27.4 27.5 "Preeti Vasudevan". The Center for Ballet and the Arts at NYU. Retrieved 2023-02-06.
  28. ↑ 28.0 28.1 28.2 28.3 28.4 span (2019-01-07). "Telling Stories Through Dance". SPAN. Retrieved 2023-02-06.
  29. ↑ "Taking Chance Further by Preeti Vasudevan". The New York Public Library. Retrieved 2023-02-06.
  30. ↑ "Preeti Vasudevan". Bill T. Jones New York Live Arts. Retrieved February 5, 2023.
  31. ↑ "New Victory LabWorks Artists". New Victory Theater. Retrieved 2023-02-06.
  32. ↑ 32.0 32.1 32.2 balletrising (2021-02-10). "EP007 PREETI VASUDEVAN | NEW YORK - USA". Ballet Rising. Retrieved 2023-02-06.
  33. ↑ "A story seeped in grace". Deccan Herald. 2020-05-03. Retrieved 2023-02-06.
  34. ↑ "Preeti Vasudevan: Live Feed: Stories by Hand". Bill T. Jones New York Live Arts. Retrieved February 5, 2023.{{cite web}}: CS1 maint: url-status (link)
  35. ↑ 35.0 35.1 "Winning world through contemporary dance | Tehelka". tehelka.com. Retrieved 2023-02-06.
  36. ↑ Rethinking failure: Preeti Vasudevan at TEDxBarnardCollege, retrieved 2023-02-06
  37. ↑ "Preeti Vasudevan performs during the Mahindra Excellence in Theatre Awards, held in Delhi, on March 09, 2013". photogallery.indiatimes.com. Retrieved 2023-02-06.
  38. ↑ 38.0 38.1 Desk, BWW News. "Preeti Vasudevan's STORIES BY HAND to Premiere at New York Live Arts". BroadwayWorld.com. Retrieved 2023-02-06.
  39. ↑ "Artists". IndyArtsGuide.org. Retrieved 2023-02-06.
  40. ↑ 40.0 40.1 "Preeti Vasudevan's Thresh: Stories by Hand / L'Orient · Lincoln Center". lincolncenter.org. Retrieved 2023-02-06.
  41. ↑ Henry, Alan. "VIDEO: Works & Process Presents L'ORIENT by Kamala Sankaram and Preeti Vasudevan". BroadwayWorld.com. Retrieved 2023-02-06.
  42. ↑ Kirpal, Neha (2021-03-15). "Preeti Vasudevan Dances Stories of Ethnic Folklore to Yo-Yo Ma's Cello". India Currents. Retrieved 2023-02-06.
  43. ↑ Musbach, Julie. "The New Victory Theater Announces 2018-19 New Victory LabWorks Artists". BroadwayWorld.com. Retrieved 2023-02-06.
  44. ↑ "Glimpse: The Jungle Book". The Glimmerglass Festival. 2020-07-20. Retrieved 2023-02-06.
  45. ↑ "2022 The Jungle Book". The Glimmerglass Festival. 2022-01-11. Retrieved 2023-02-06.
  46. ↑ Glimpse: The Jungle Book, retrieved 2023-02-06
  47. ↑ Hochman, Jerry (2020-07-27). "The Red Curtain Project: More Stories by Hand, Heart and Soul". CriticalDance. Retrieved 2023-02-06.
  48. ↑ "Upside Down and All Around (2020)". Kamala Sankaram. Retrieved 2023-02-06.
  49. ↑ "The New York Times on Instagram: "The dancer and choreographer Preeti Vasudevan is paring down in her new autobiographical solo, "Stories by Hand," at @nylivearts this week. She's trained in the Indian classical dance form of #Bharatanatyam, but she won't be wearing any ornate silks or bells. "When you see it like this you see the body," @vasudevan.preeti said. "You see the breathing." In her solo, which unfolds in 3 sections, she dances and talks, telling personal stories about contemporary life — not about gods and goddesses. "It's like if I need to just be me and I want you to see this dance as something very approachable, then I need to have fun first and not make it educational for you," Preeti said. In other words, it's not your usual evening of Bharatanatyam. "It's not that I'm rebelling," she told the @nytimes writer @giadk. "It's more like I just want to play. I'm trying not to make it precious." @sbrackbill made this video for #SpeakingInDance, our weekly series exploring the world of #dance."". Instagram. Retrieved 2023-02-06.
  50. ↑ 50.0 50.1 Doshi, Tishani (2018-08-17). "Preeti Vasudevan on her latest choreography". The Hindu. ISSN 0971-751X. Retrieved 2023-02-06.
  51. ↑ Nast, Condé (2018-09-10). "Preeti Vasudevan's Dance Performance is Based on Hand Gestures". Vogue India. Retrieved 2023-02-06.
  52. ↑ Burke, Siobhan (2017-11-06). "Review: Bending It Like Bharatanatyam". The New York Times. ISSN 0362-4331. Retrieved 2023-02-06.
  53. ↑ Preeti Vasudevan's 'Stories By Hand' at New York Live Arts, retrieved 2023-02-06
  54. ↑ "PREETI VASUDEVAN'S AUTOBIOGRAPHICAL "STORIES BY HAND" RECEIVES WORLD PREMIERE AT NEW YORK LIVE ARTS, NOVEMBER 2-4 | Ellen Jacobs Associates". www.ejassociates.org. Retrieved 2023-02-06.
  55. ↑ "Hands That Tell Tales". The New Indian Express. Retrieved 2023-02-06.
  56. ↑ "Past Performers at Jacob's Pillow". Jacob's Pillow. Retrieved 2023-02-06.
  57. ↑ "Preeti Vasudevan: Musical Theatre Dance Faculty". Jacob's Pillow. Retrieved 2023-02-06.
  58. ↑ "Interview - Preeti Vasudevan: An educational first in classical Indian dance Dancing for the Gods". narthaki.com. Retrieved 2023-02-06.
  59. ↑ Stewart, Courtney A. (May 5, 2015). "Feminine Power of the Deccan: Chand Bibi and Mah Laqa Bai Chanda". The Met Museum Blogs. Retrieved February 5, 2023.
  60. ↑ Hochman, Jerry. "Veiled Moon: the private and public life of Mah Laqa". Critical Dance. Retrieved February 5, 2023.{{cite web}}: CS1 maint: url-status (link)
  61. ↑ "Spotlight: Preeti Vasudevan". SITI Company. 2016-08-22. Retrieved 2023-02-06.
  62. ↑ "Eye on India". www.dance-enthusiast.com. Retrieved 2023-02-06.
  63. ↑ "Thresh: Savitri - Dance in the Forest of Death". Critical Dance. 2013-08-26. Retrieved 2023-02-06.
  64. ↑ MacDonald, Devin. "Eye on India Brings Solo Dance-Theater Work SAVITRI to Columbia College for U.S. Debut, 7/11". BroadwayWorld.com. Retrieved 2023-02-06.
  65. ↑ "Celebrating the other half". The Hindu. 2013-01-10. ISSN 0971-751X. Retrieved 2023-02-06.
  66. ↑ "Review - Epic Women Conference - Dec 22: Epic Women performances". narthaki.com. Retrieved 2023-02-06.
  67. ↑ "PREETI VASUDEVAN'S AUTOBIOGRAPHICAL "STORIES BY HAND" RECEIVES WORLD PREMIERE AT NEW YORK LIVE ARTS, NOVEMBER 2-4 | Ellen Jacobs Associates". www.ejassociates.org. Retrieved 2023-02-06.
  68. ↑ "Across frontiers". Deccan Herald. 2019-03-24. Retrieved 2023-02-06.
  69. ↑ "Threshold of a new stage". The New Indian Express. Retrieved 2023-02-06.
  70. ↑ Rabinowitz, Chloe. "Photos: Take a Look Inside Dance Lab New York's Collaboration With The Joyce Theater". BroadwayWorld.com. Retrieved 2023-02-06.
  71. ↑ Garner, Amy Hall (October 31, 2019). "A Peek Inside Dance Lab New York's Developmental Lab for Female Choreographers of Color". Playbill. Retrieved February 5, 2023.{{cite web}}: CS1 maint: url-status (link)
  72. ↑ "South-Asian Classical/Contemporary @ LaMama Moves". Culturebot. 2010-06-18. Retrieved 2023-02-06.

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