Wally Neuzil

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Walburga Neuzil
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BornAugust 1894
Tattendorf, Lower Austria, Austria-Hungary
Died25 December 1917(1917-12-25) (aged 23)
Sinj, Dalmatia, Austria-Hungary
NationalityHungary
CitizenshipHungarian
Occupation
  • Nurse
  • Model
Spouse(s)Egon Schiele (1911-1915)

Walburga "Wally" Neuzil (August 1894 - 25 December 1917) was an Austrian nurse who was the lover and muse of the artist Egon Schiele between 1911 and 1915.

Early life

Neuzil was born in Tattendorf, Lower Austria in 1894.[1] Born illegitimately, her parents married when she was young, and they had three more daughters before her father's death in 1905. Following this, the family relocated to Vienna in 1906.[2]

In records kept at the time, Neuzil listed multiple occupations, including sales assistant, cashier, and mannequin.[3] She also modelled for the artist Gustav Klimt, and was rumoured to have been his mistress for a time, although no evidence of this has ever been recorded.[1]

Relationship with Egon Schiele

In 1911 Neuzil first met the Austrian artist Egon Schiele; she was 17 and he was 21. The circumstances by which they met are unclear, although it has been suggested that they were introduced by Klimt, of whom Schiele was a protégé and Neuzil was a model.[1] She quickly moved into his home in Vienna and over the next four years modelled regularly for his paintings; they were also lovers for much of this period. Neuzil featured in several of Schiele's most well-known paintings, including Portrait of Wally (1912), Wally Neuzil in Black Stockings (1912), and Wally in Red Blouse with Raised Knees (1913).[4]

After struggling to fit into Viennese society, Neuzil and Schiele moved to her mother's hometown of Krumau (now Český Krumlov) in Bohemia. However, their lifestyle choices, including their unmarried status and Schiele's alleged employment of local girls as models, led to criticism from locals and the couple soon moved to Neulengbach, near Vienna, in 1912.[1] There, Schiele was dogged by similar rumours, and was arrested for seducing a twelve-year-old girl; while this charge was dropped, Schiele was charged with exhibiting erotic art in a place accessible to children. During his time in prison, Schiele wrote how Neuzil was the only one of his friends and acquaintances who continued to offer him support.[2]

In 1914, Schiele set up a studio in Hietzing in Vienna's suburbs, where he first met the sisters Edith and Adéle Harms. Around this time, Schiele wrote in a letter to Arthur Roessler "I'm planning to marry - most advantageously - probably not to Wally". In 1915, Schiele became engaged to Edith, and informed Neuzil of his intentions whilst at the Café Eichberger. Evidence at the time suggested Schiele intended to carry on with his relationship with Neuzil despite his marriage; a letter he wrote to Neuzil mentioned them continuing to holiday together without Edith. However, Neuzil ended the relationship immediately after Schiele announced his engagement, and the two did not see each other physically again, although a letter by an acquaintance of both Neuzil and Schiele suggested he continued to offer her some financial support as late as 1915.[1] After Neuzil's departure, Schiele painted Death and the Maiden in response to the end of their relationship.

Later life

Following the end of her relationship with Schiele, Neuzil trained as a nurse and found employment in a military hospital in Vienna.[3] By 1917, she was working in Sinj in Dalmatia, where she died of scarlet fever on 25 December 1917 at the age of 23.[5]

Legacy

Schiele died in 1918 during the Spanish flu pandemic, three days after the death of his wife Edith and their unborn child.[6]

Portrait of Wally is currently on display at the Leopold Museum in Vienna.[7] It was subject to a protracted legal battle in 1998 following its display on loan in the USA after The New York Times reported that the painting had been improperly acquired by the museum via Nazi looting of Jewish-owned art during the Holocaust.[8] In 2010, the Leopold Museum reached a $19 million settlement with the family of Lea Bondi Jaray, an art dealer who had originally owned the painting before being forced to sell it and flee Austria in 1939 following the Anschluss and subsequent Aryanisation of Austria.[9]

In 2017, Neuzil's grave was located in Sinj.[5][4] In Neuzil's hometown of Tattendorf, a square is named after her.

In 1980, Egon Schiele – Excess and Punishment, a biographical film about Schiele, was released. In it, Neuzil was portrayed by Jane Birkin.

References

  1. 1.0 1.1 1.2 1.3 1.4 Bradley, Kimberly. "Wally Neuzil: The secret life of Schiele's muse". www.bbc.com. Retrieved 2021-08-10.
  2. 2.0 2.1 Azarenko, Natalya (2017-10-26). "Love story in pictures: Egon Schiele and Wally Neuzil". Arthive. Retrieved 2021-08-10.
  3. 3.0 3.1 "WALLY NEUZIL | Archive | EXHIBITIONS | Leopold Museum". www.leopoldmuseum.org. Retrieved 2021-08-10.
  4. 4.0 4.1 "The grave of Schiele's muse, Wally Neuzil, found in Croatia". www.theartnewspaper.com. Retrieved 2021-08-10.
  5. 5.0 5.1 "Slobodna Dalmacija - Djevojka s portreta od 20 milijuna dolara leži u sinjskom grobu". slobodnadalmacija.hr (in hrvatski). 2016-04-22. Retrieved 2021-08-10.
  6. Whitford, Frank (1987). Expressionist portraits (1st American ed.). New York: Abbeville Press. ISBN 0-89659-780-6. OCLC 15489641.
  7. "Austrian museum pays $19 million for Nazi-looted painting | JTA - Jewish & Israel News". 2010-07-23. Archived from the original on 2010-07-23. Retrieved 2021-08-10.
  8. Dobrzynski, Judith H. (1997-12-24). "THE ZEALOUS COLLECTOR -- A special report.; A Singular Passion For Amassing Art, One Way or Another". The New York Times. ISSN 0362-4331. Retrieved 2021-08-10.
  9. "Row over Egon Schiele work costs Austrian museum $19m". BBC News. 2010-07-21. Retrieved 2021-08-10.

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