Paul Prestopino

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Paul Prestopino
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Born(1939-09-20)September 20, 1939
Died(2023-07-16)July 16, 2023
Occupation
  • Multi-Instrumental Musician
  • Audio Engineer

Paul Prestopino (Sept. 20, 1939 - Jul. 16, 2023) was a multi-instrumental musician and an audio engineer from the artist colony in Roosevelt, New Jersey, and the son of artist Gregorio Prestopino. In 1958 -1959, Paul Prestopino played on Sundays in Washington Square Park in New York City's Greenwich Village with the Greenbriar Boys. He left the Greenbriar Boys before they became nationally known to serve as an accompanist for the Chad Mitchell Trio, and he also played behind Peter, Paul & Mary for at least fifteen years.[1]

[2]

Prestopino worked from 1970 until 1989 was as a technician with the Record Plant Remote (the Record Plant's studio-on-wheels), where he served as a sound engineer for mainstream musicians in several musical genres. Although not a regular studio musician, due to his availability at the venue of many non-studio recordings (where he always brought instruments with him), Prestopino was frequently tapped to add a track or accompaniment whenever certain stringed instruments were desired. He contributed to albums by bands and singers such as Aerosmith, Rick Derringer, Alice Cooper, Pete Seeger, John Denver, Tom Paxton, and Judy Collins[3], to name a few. On these recordings, he played (mostly) various fretted instruments including guitar, banjo, dobro and mandolin. Prestopino first contributed guitar, autoharp, and mandolin accompaniment to John Denver's Rhymes & Reasons album in 1969, and he also is credited for playing on eight subsequent album releases of works by John Denver, including Take Me to Tomorrow and Aerie_(album). His name appears in more than 60 Wikipedia articles, mainly in the credits for accompanying musicians.

In the second half of his life, Prestopino also played frequently in small musical venues within driving range of his home, including the New Jersey Folk Festival and Howell Living History Farm, where he typically appeared with Jugtown Mountain String Band. Prestopino usually attended Banjofest reunion of musicians who used to play in the park in the 1950s and ’60s, held annually in Washington Square Park, New York City. He performed annually for many years at the New England Folk Festival in Boston with his English Country Dance band (called Hold the Mustard). For 37 years, he played annually in the Roosevelt String Band in an always-sold-out, intimate concert at the Roosevelt Town Hall that included many accomplished musicians of all ages (such as Kai Altair) from the Roosevelt community. He also played regularly for contra-dances at Princeton Country Dancers (the contra-dance in Princeton, New Jersey) and acted as a sound and maintenance engineer, as well as a musician, for their open bands.

Prestopino could often be found in his off-hours jamming happily with a wide variety of musicians of all experience levels and playing styles. He was a great lover of traditional string band music in either old-time jams or bluegrass jams. Prestopino composed several traditional-sounding tunes for stringed instruments.In 2019, he recorded a bluegrass album as a member of the Magnolia Street String Band.

References

  1. Harrison, Judy (2010-09-21). "Peter and Paul without Mary bittersweet". Bangor Daily News. Retrieved 2023-08-13.
  2. Leary, James (2010-11-18). Polkabilly: How the Goose Island Ramblers Redefined American Folk Music. Oxford University Press, USA. p. 65. ISBN 978-0-19-975696-4.
  3. "Paul Prestopino | Credits". AllMusic. Retrieved 2023-08-13.

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