Norman Narotzky
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Norman Narotzky | |||
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| Born | 1928 Brooklyn, New York | ||
| Nationality | American | ||
| Citizenship | United States of America | ||
| Alma mater | Brooklyn College | ||
| Occupation | Artist | ||
Norman Narotzky (born in 1928, Brooklyn, New York (state)|New York), American and Spanish artist living in Barcelona, Spain. His work addresses social issues and the style varies from abstractionism to figurative painting and transitional styles.
Biography and work
Narotzky's father, Harry Aaron Narotzky migrated to the US from the village of Kabylnik (now Narach, Belarus) in 1907. Almost all family remaining in Kabylnik perished during WWII, massacred by the German fascists. Narotzky’s mother was an immigrant from Ukraine and worked as a seamstress.[1]
At the age of thirteen Narotzky was accepted into the High School of Music and Art in New York from which he graduated in 1945.[2] During this time, he studied on weekends in the studio of Moses Soyer together with a group of classmates: Harvey Dinnerstein, Burton Silverman, Murray Stern and Herbert Steinberg. He continued his art education at Brooklyn College, where one of his professors was Ad Reinhardt, receiving his BA in 1949. At the same time, he attended the Art Students League of New York.[3] Subsequently, he began working at a Graphic Design Studio and his studies at the Cooper Union Art School.[4]
In 1953 Narotzky was drafted into the US Army.[1] He was assigned to the Graphic Arts Section of the Medical Field Service School in Texas where he did illustrations. At the end of his service in 1954, he won a Woolley Foundation Grant to study art in Paris where he worked at Atelier 17, a renowned space for printmaking.[1]
He spent the summer of 1955 painting in the village of Cadaqués in Spain and then continued his stay in Paris for a second year with a French government Fellowship.[5] In 1956 a Fulbright Program Fellowship brought him to Academy of Fine Arts in Munich. In 1957 he returned to New York to paint and study art history at the New York Graduate School. In 1958 Narotzky moved to Barcelona.[1]
Topics and Styles
Narotzky works mostly in painting but has also created prints throughout his career, one of which earned the Philadelphia Museum of Art Purchase Prize in 1956. In the late 1950s his work was a form of abstract expressionism, inspired by the light and colors of Costa Brava. In the early 1960s, his brushstrokes fused into large areas of color suggesting the human figure. These paintings were exhibited at the VI São Paulo Art Biennial, Brazil in 1961, and one was included in “Recent Painting USA: the Figure” at the MOMA, New York in 1962. In the mid 1960’s the images became more concrete and represented historical and popular personalities of the USA and Spain. In a solo show in 1967 at the Galería René Metras in Barcelona, he exhibited a double portrait of Queen Isabella I of Castile and King Ferdinand II of Aragon, known as “Los Reyes Católicos” for their support of inquisition. These paintings were criticism and protest against all religious, racial, and political persecution throughout history, taking the Spanish Inquisition as a point of departure.[6][7][8] When news of this reached authorities in Madrid, it created an uproar in the Franco government which considered it to be a direct attack on its ideology.[9][10][11]
In the 1970s Narotzky created a series of paintings “Images of Life and Death”, provoked by the Vietnam War, the civil rights movement, and the anti-war protests. The images denounce violence and destruction and celebrate the hope for life and love. Following this, in the 1980’s he returned to nature for inspiration. “Living Landscapes” portray the Catalan mountains and coast as potent living forms. He continued this search by painting the “landscape” of the cities of Barcelona and New York where he focussed on the anthropomorphic architectural details which are frequently overlooked by the passer-by. In the series “Chimeneas de l’Empordá” he focused on the expressive physiognomy of chimneys in the old buildings of the region.[12]
In 2014 Narotzky began his latest series of paintings “Ocaso” (“sunset” in Spanish). It also means decadence, decline, end and death. It is a figurative warning to humanity about the fragility of existence and the threat of self-destruction through wars, terrorism and the continuing damage to the earth and the environment.[13]
Narotzky has had over 60 solo shows and numerous group exhibitions. His works are included, among others, in the collections of the Philadelphia Museum of Art, Mills College Art Museum, Cincinnati Art Museum, Stavanger Museum in Norway, Museo Nacional Centro de Arte Reina Sofía ("Queen Sofia National Museum Art Centre") in Madrid, the National Art Museum of Catalonia and the James A. Michener Collection in the Blanton Art Museum at Austin, Texas.[12]
Family
Narotzky’s wife Mercedes Molleda is a retired professor of geography and history and an art critic. The couple has two daughters and two grandsons.[2][3]
References
- ↑ 1.0 1.1 1.2 1.3 Berniakovich, Ina (18 August 2020). "Man of world from Kabylnik". "Zvyazda".
- ↑ 2.0 2.1 Berniakovich, Ina (19 Aug 2020). "Norman Narotsky: I am happy to connect with homeland". "Narachanskaya zara": 6.
- ↑ 3.0 3.1 Maria Lluïsa Borràs i González. "Narotzky, un americano en Cadaqués". La Vanguardia.
- ↑ Norman Narotzky. Catalogue for the exhibition of N. Narotzky in Centre d’Art Santa Monica. Barcelona: Generalitat de Catalunya. 1999. p. 48.
- ↑ "Web". Museu Nacional d'Art de Catalunya.
- ↑ Shore, Joan (16 Oct 1969). "Gallery Hooping". The Brussels Times. N220: 7.
- ↑ Del Arco (18 Oct 1966). "Norman Narotzky". La Vanguardia: 29.
- ↑ Torroella, Santos (19 Oct – 8 Nov 1966). "Narotzky, en Galeria Rene Metras". El Noticero Universal.
{{cite journal}}: CS1 maint: date format (link) - ↑ Wilson, H. G. (11 Jun 1967). "New pressures on the new Spanish Painting". The New York Times.
- ↑ Narotzky, Norman (4 Feb 1996). "Arte y poder durante el franquismo". La Vanguardia: 25.
- ↑ James A. Michener (1968). Iberia. Random House. p. 587. ISBN 0-394-42982-6.
- ↑ 12.0 12.1 Raigorodsky, Santiago. "Norman Narotzky: un pintor comprometido". 1 Oct 2010. Tarbut Sefarad.
- ↑ "Ocaso by Norman Narotzky". Barcelona-Metropolitan.
External links
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