Joydeb Roaja
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Joydeb Roaja | |
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| Born | 1973 Khagrachori, Chittagong |
| Nationality | Bangladeshi |
| Education | MFA |
| Alma mater | Chittagong University |
| Known for | Painting, Performance |
Notable work | The Right to Relief 2020, Garden of Ten Seasons 2019, Around the Table 2018 |
Joydeb Roaja (born 1973, Khagrachori, Chittagong) is a dynamic artist known for his painting and performance. He completed his M.F.A. in painting from Chittagong University in 1999. Currently residing and working in Chittagong, Bangladesh, Roaja is recognized for his influence by hill tracts life, Indigenous culture, and nature in his artworks. He is the Vice Chairman of Porapara Space For Artists and General Secretary of Hill Artist Group.[1][2]
Early Life
Born in 1973 in Khagrachori, Chittagong, Joydeb Roaja grew up in a rural hilly land that significantly shaped his artistic perspective.[2]
Education
Roaja completed his Master of Fine Arts (M.F.A.) in painting from Chittagong University in 1999, showcasing early commitment to his artistic journey.[3][4]
Career
- Notable Exhibitions and Workshops
- Solo exhibition in NIPAGEN, Japan - Participation in the 25th Nippon international performance art festival, Japan - Fabric(ated) Fractures, collaboration between Samdani Art Foundation Dhaka and Alserkal-Dubai - Participation in various international exhibitions and workshops [Durjoy Bangladesh Foundation] Roaja's paintings, drawings, installations, and performance artworks are deeply influenced by hill tracts life, Indigenous culture, and nature.[5] His works connect with contemporary political discourses on ethnic rights, inclusivity, oppression, and the preservation of nature, land, and culture.[6][7]
Recognition and Achievements
In 2005, Joydeb Roaja was awarded an artist residency at Thirtha, Colombo, Sri Lanka. He has also held positions such as Vice Chairman of Porapara Space For Artists and General Secretary of Hill Artist Group.[8] "The Right to Relief, 2020" is an ink on paper artwork measuring 39 2/5 × 29 1/2 inches. Roaja explores the theme of relief distribution during the COVID-19 pandemic, reflecting on the disparity between relief givers and receivers. The artwork engages with the concept of hope and envisions a future where relief is a universal right.[9] Joydeb Roaja expresses gratitude for being part of the "Future of Hope" project during the global pandemic. He shares insights into his subject, "The Right to Relief," and reflects on conversations with fellow artists and literary figures, Roaja gained international recognition by this artwork.[10]
References
- ↑ "Joydeb Roaja". Durjoy Bangladesh Foundation. 8 September 2022. Retrieved 16 October 2023.
- ↑ 2.0 2.1 Warsaw, Museum of Modern Art in. "Joydeb Roaja, Searching My Roots". bestia.artmuseum.pl. Retrieved 16 October 2023.
- ↑ "JOYDEB ROAJA - KT2077". www.kathmandutriennale.org. Retrieved 16 October 2023.
- ↑ Dee, Christa (29 September 2022). "Joydeb Roaja's solo exhibition at Jhaveri Contemporary". South South. Retrieved 16 October 2023.
- ↑ Ganglani, Poonam (28 March 2019). "Fabric(ated) Fractures: Challenging the ideas of nation and state". The Hindu. Retrieved 16 October 2023.
- ↑ "Jodeb Roaja". WCS. Retrieved 16 October 2023.
- ↑ "Dhaka Art Summit 2023 highlights corruption, environmental concerns". New Age | The Most Popular Outspoken English Daily in Bangladesh. Retrieved 16 October 2023.
- ↑ Collectors, BMW Group, Independent (14 July 2020). Der fünfte BMW Art Guide by Independent Collectors: Der globale Führer zu privaten Sammlungen zeitgenössischer Kunst (in Deutsch). Hatje Cantz Verlag. ISBN 978-3-7757-4834-6. Retrieved 16 October 2023.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ↑ Correspondent, Staff (24 April 2014). "A disaster unforgotten". The Daily Star. Retrieved 16 October 2023.
- ↑ Suhrawardi, Rebecca. "The Dhaka Art Summit Defines The Democratization Art, And What The Art World Can Learn From It". Forbes. Retrieved 16 October 2023.
External links
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