Giorgio Bertellini

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Giorgio Bertellini
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Personal details
Born
Giorgio Bertellini

(1967-05-13) May 13, 1967 (age 56)
Mantua, Italy
CitizenshipItaly
NationalityItalian
Alma materUniversità Cattolica del Sacro Cuore
New York University
OccupationProfessor of Film at University of Michigan
Websitelsa.umich.edu/ftvm/people/faculty/giorgiob.html

Giorgio Bertellini is a naturalized US citizen and media historian who specializes in the ways national and racial diversity informed United States cinema representation of citizenship, stardom, and leadership during the era of international migration, fascism, and World War II. He is currently Professor in the Department of Film, Television, and Media at the University of Michigan.[1]

Life

Born in Mantua, Italy, Bertellini studied philosophy at the Università Cattolica del Sacro Cuore and earned his Ph.D. in cinema studies at New York University Tisch School of the Arts. He moved to the University of Michigan, Ann Arbor, in 2001 as a Junior Fellow in the Michigan Society of Fellows [2] and is currently Professor in the Department of Film, Television, and Media at University of Michigan with a courtesy appointment in the Department of Romance Languages. He was the Sargent-Faull Fellow [3] at the Harvard Radcliffe Institute for Advanced Studies (2007-08) and a Tiro a Segno Fellow [4] in New York University Italian Studies department.

Recognition

His work twice received the American Association of Italian Studies [5] book award for film and media (2010 and 2020). His other book awards include the Robert K. Martin Best Book Prize (Canadian Association for American Studies [6], 2010), the Peter C. Rollins Book Award (Southwest Popular and American Culture Association [7], 2015), and the IASA Book Award from the Italian American Studies Association [8], 2020). His work has been supported by the American Philosophical Association, National Research Council (Italy)|Consiglio Nazionale delle Ricerche, and the Harvard Radcliffe Institute|Radcliffe Institute for Advanced Studies.

Works

  • The Cinema of Italy. Wallflower Press, 2004/2007. [9].ISBN 978-1903364994
  • Early Cinema and the 'National': Early Cinema in Review: Proceedings of Domitor. (Co-edited with Richard Abel and Rob King). John Libbey Publishing, 2008. ASIN B01E9Z1P71
  • Italy in Early American Cinema: Race, Landscape, and the Picturesque. Indiana University Press, 2009.[10][11][12][13] ASIN B01FEL7QSI
  • Emir Kusturica (Contemporary Film Directors). University of Illinois Press, 2015. ASIN B00JMOLQMGMilan: Editrice Il Castoro, 1996. ISBN 88-8033-072-1; 2nd expanded ed., 2001 ISBN 978-8880330721; English Edition: Champaign: University of Illinois Press, 2015.[14] ASIN B00JMOLQMG; Romanian Edition: Bucharest: IBU Publishing, 2017.
  • Italian Silent Cinema: A Reader. John Libbey Publishing, 2013.[15][16]ASIN 978-0861966707
  • The Divo and the Duce: Promoting Film Stardom and Political Leadership in 1920s America. University of California Press, 2019.[17][18][19][20][21][22] ASIN B07MV7Z7RB

References

  1. "Giorgio Bertellini | U-M LSA Department of Film, Television, and Media". lsa.umich.edu.
  2. "University of Michigan Society of Fellows webpage".
  3. "Giorgio Bertellini's Radcliffe Institute webpage".
  4. "Tiro a Segno Fellowship Information Page".
  5. "American Association of Italian Studies homepage".
  6. "Canadian Association for American Studies homepage".
  7. "Southwest Popular and American Culture Association homepage".
  8. "Italian American Studies Association homepage".
  9. "Piero Garofalo, Quarterly Review of Film and Video, vol.24, no.1 (2007): 92-97".
  10. "Robert Gordon, "Film History Recut," Times Literary Supplement, July 1, 2011, 28"..
  11. "Rorotoko, Cover Interview of March 23, 2010".
  12. "Ferdinado Fasce and Silvio Alovisio, "A proposito di Italy in Early American Cinema di Giorgio Bertellini," Quaderni Storici 145, vol.49, no.1 (April 2014): 1-8".
  13. "Richard Abel, Film History, vol.22, no.3 (2010): 265-66".
  14. "Andrew Horton, Slavic Review, Vol. 74, No. 4 (Winter 2015): 923-924".
  15. "Gaetana Marrone, Journal of Italian Cinema and Media Studies, vol.2, no.3 (2014): 445-447".
  16. "Kelsey E. Moore, Film & History, vol.47, no.1 (Summer 2017): 83-84". doi: 10.1386/jicms.2.3.443_5.
  17. "Piero Garofalo, Journal of Italian Cinema and Media Studies, vol.8, no.1 (2020): 162-165". doi: 10.1386/jicms_00014_5
  18. "Nicolas Suárez, "The Divo and the Duce: Promoting Film Stardom and Political Leadership in the 1920s," Historical Journal of Film, Radio, and Television, 2020". doi:10.1080/01439685.2020.1865681.
  19. "Giorgio Bertellini, "When Americans Loved Mussolini—and what it tells us about Donald Trump's rise," Washington Post/Made by History, Feb. 28, 2019".
  20. "Antonio Carioti, "Il Duce e Rodolfo Valentino: I Latin Lover d'America," La Lettura/Corriere della Sera, March 10, 2019, 31".
  21. "Giuliana Muscio, "Il Divo, il Duce e l'Italia malata," Il Manifesto/Alias, June 21, 2019".
  22. "Desmond O'Grady, "Macho men: The links between Valentino and Mussolini," The Sydney Morning Herald, June 14, 2019".

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