Georg Viktor
Georg Viktor | |||
|---|---|---|---|
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| Born | February 6th 1953 Ludwigshafen Germany | ||
| Nationality | German | ||
| Citizenship | Germany | ||
| Alma mater | Staatliche Hochschule für Musik in Heidelberg-Mannheim | ||
| Occupation | Sculptor | ||
Georg Viktor (born February 6th 1953 in Ludwigshafen Germany) is a german born sculptor. He specializes in hyperrealistic, Erotica sculptures, which he sculpts in marble. Since 1979 he has lived and worked in Pietrasanta in Italy.
Personal career
Georg Viktor was born and raised in Ludwigshafen am Rhein. In 1976 he graduated from the "Hochschule für Musik und Darstellende Kunst Mannheim" and in 1978 he studied stone carving at the studio of Volker Dursy [1] in Ladenburg. In 1979 he worked as a sculptor and then moved to Pietrasanta, in Italy, near the Carrara marble quarries. In the Studio Fernando Palla he studied the special techniques of marble sculpting.
Since his first solo exhibition in Germany in 1981, Viktor has presented his work in Symposium and solo exhibitions. His pieces can also be seen in the permanent exhibition of Louis K. Meisel Gallery in New York, following his exhibition in 1996.
Work
In his extensive sculptural work, Georg Viktor focuses on the perfectly modeled body, preferably female, often with accenting accessories. He emphasizes the erotic charisma of the body. His work seeks to combine contemporary imagery and themes with sculptural references from Greco-Roman antiquity. Georg Viktor is inspired by themes of the body and eroticism. He sculpts female subjects with modern sartorial shapes and patterns in poses that are often reminiscent of ancient Greco-Roman sculptures, such as the caryatids.[2]
Georg Viktor, is close to Hyperrealism. He uses the sculptural techniques of marble, from traditional to modern. The properties of the materials themselves come to create the illusion of reality. By perfecting marble finishing techniques, he achieves hyper realistic effects of bare skin, clothes, jeans or leather on white, grey, beige, black marble. He elaborates his works in clay and plaster as well as in sandstone and bronze. His favorite material is the Carrara white statuario marble, from which he draws his inspiration from the rich history.
He places supernatural eroticism at the forefront of his sculptures, on which the artist himself writes "Eroticism in art has existed for as long as art itself" and adds "My sculptures are not only there to be looked at, but also to be touches with the hands and the senses [3]. Public interest in his works is reflected in numerous sculpture symposiums, exhibitions, exhibitions and goes well beyond private art lovers. Some of Viktor's marble sculptures are found in public space, such as the stele for Osthofen, [4] Donatella in the public space of Ludwig Reichert Haus in Ludwigshafen [5] or the abduction of Europa by Zeus[6] in Leingarten.
His passion for local peculiarities and special people is also reflected in his works, as the bust of the loner Ernst Kolb.[7] or in the 'Hommage á Rimbaud' (1989, Marble Statuario 75 x 36 x26) [8]
Exhibitions
- 1996: New York, Louis K. Meisel Gallery „The Great American Pin-ups“ (Dauerausstellung)
- 2013: Montignoso, Eros/Arte
- 2013: Pietrasanta, La Cava Del Falco, „Il Primo Volo“
- 2013: Montone, Umbria, Triennale Di Scultura
- 2014: Pietrasanta, Art & Design
- 2014: Mannheim, KulturKlub Mittelpunkt, Porträts von Ernst Kolb
- 2014: San Gimignano, iSculpture Art Gallery
- 2014: Mannheim, Kulturklub Mittelpunkt, Mostra di Scultura
- 2017: San Gimignano,Toscana iSculpture Art Gallery „Nuda Pietra“
- 2018: London, Erotic Art Exhibition London
- 2018: Livorno, SMP21, "Nuda Pietra"
- 2018: Bergdietikon, Galerie Bachlechner „Blau“
- 2019: Pietrasanta, Toscana, Galleria Intrecciarte
Symposia
- 1981: III. Simposio Internazionale di Scultura, Carrara, Italien
- 1985: VII. Simposio Internazionale di Scultura, Carrara, (Preisträger), Italien
- 1986: II. Internationales Bildhauersymposium, Durbach, Schwarzwald, Deutschland
- 1987: IIIe Simposium International de Sculpture, Digne les Bains, Frankreich
- 2002: III. Simposio Internazionale di Scultura Campomaggiore, Potenza, Italien
- 2006: Simposium International de Sculpture „Les Produits du Terroir“Sénas, Provence, Frankreich
- 2007: Internationales Bildhauersymposium, „Kunst Raum Kreisel“ Leingarten, Heilbronn[9]
- 2007: Simposium de la Pierre „Le Printems des Sculpteurs“ Oppède, Provence, Frankreich
Literature
- Antonella Serafini: Museo dei Bozzetti - Colloc. 735 MDB/3; L Volume/MdB/catalogo Pietrasanta, Comune, 1994 Serie/Collana: "Toscana musei", p. 241
- Botti Enrico et alumni: Le forme del mare - sculture in un praesaggio - Volume Ripa di Versilia, Graficatre, 1994, p. 61
- Chiara Celli: Museo dei Bozzetti di Chiara Celli, Valentina Fogher (curatori)Colloc. 735 MDB/4; L 735 MDB/4, Volume/MdB/catalogo Ospedaletto, Pisa, Pacini, 2011, p. 344
- Chiesa Museo Di Francesco: Biennale Internationale Borgo di Montone Umbria Italia, 2014, ISBN 978-88-96330-52-4, S. 64f
- Gemälde Cabinett Unger (Herausgeber): Der Akt in der Kunst, 1993, 87
- Gemälde Cabinett Unger (Herausgeber): Erotik in der Kunst, 1993, 74f
- Georg Viktor, Christoph Maisenbacher (Texte): Erotic & Lust - Volume Venlo, Van Spijk Art Projects, 2004, p. 71
- Georg Viktor: Erotische Skulpturen -1981-1989, Opuscolo Lucca, Rugani, 1989, p. 38
- Giovanna Uzzani: Il Marmo/Laboratori e presente Artistice nel territorio Apuo Versiliese - Volume San Quirico, Vernio, Maschietto & Musolino, 1995, p. 254
- Mostra Internazionale della Piccola Scultura. 2a Mostra Internazionale di Scultura - Volume Castellanza, Italgraf, 1987, p. 50 c.
- Patrick Pii: Georg Viktor Nuda Pietra - iSculpture. San Gimignano 2017, viewed 2021-11-22
- Peer Frieder - Creativ Team: Kunst im Kreis, 2001, ISBN 978-3-89904-313-6, 60-77
- Pietro Conti: H&ART/CENTO ARTISTI IN OSPEDALE - Volume Pietrasanta, Asart, 2004
- Pietro di Pierro: Recensisci per primo questo prodotto in Artigiani & artisti nella Carrara del 2000 Romano Bavastro. Editore: Bandecchi & Vivaldi, 2006, ISBN 8883412834, p. 337
- Pier Carlo: Scolpire all'aperto: Carrara-città laboratorio/VII¡ - Volume Sarzana, Zappa, 1985, p. 108
- Philip Pavia: Exhibition of Contemporary Sculpture - bronze & stone, Opuscolo Pietrasanta, Petrarte, 1995, 31
- Hufler, N, Öffentliche Kunst in Stadt Ludwigshafen am Rhein (Art in public space) - Georg Viktor, viewed 2021-11-22
- City of Leingarten: Report of artists work Georg Viktor, viewed 2021-11-22
- Versilia Produce (Periodica No.93 , www.versiliaproduce.it), Giugno 2016, 3
- Wilfried Saur: "eine Stele für Osthofen work in progress Georg Viktor", TV documentaion 2011
References
- ↑ Restaurierungswerkstatt Volker Dursy - viewed 2021-11-22
- ↑ Karyatiden, auf viktor-ge.org
- ↑ Kunstkatalog Erotische Skulpturen Georg Viktor 1981–1989.
- ↑ Stele für Osthofen, auf viktor-ge.org
- ↑ Die Rheinpfalz 2018-03-02 Leute in LU, durch Neugier zur Kunst
- ↑ Peer Frieder - Creativ Team: Kunst im Kreis, 2001, ISBN 978-3-89904-313-6, S. 60-77
- ↑ Rolf Bergmann: Ernst Kolb, Bäcker, Bürger, Künstler - Eine Biographie, Wellhöfer Verlag Mannheim, 2013, ISBN 978-3-95428-142-8, S. 98
- ↑ Christoph Maisenbacher: Arthur Rimbaud - Calender Agenda, 1990, 3-924690-49-9, S. 15
- ↑ "Der Künstler Georg Viktor". leingarten.de. Retrieved 2021-01-09.
External links
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