Ching-Jang Yao
 | The topic of this article may not meet Wikitia's general notability guideline. |
Ching-Jang Yao | |
|---|---|
姚慶章 | |
| Add a Photo | |
| Born | September 16, 1941 Xiluo,Yunlin, Taiwan |
| Died | November 14, 2000 (aged 59) |
| Nationality | Taiwan |
| Occupation | Painter |
| Style | Oil painting,Watercolor,Hyperrealism,Abstract Expressionism |
Ching-Jang Yao (C. J. Yao, 姚慶章, September 16, 1941 – November 14, 2000) was a Taiwanese painter born in Xiluo, Yunlin.
Life
Early Life
Ching-Jang Yao was born on September 16, 1941, in Xiluo, Yunlin. From an early age, he had a passion for painting. He attended Taichung Second Senior High School, where in his senior year, he made the decision to apply for the Fine Arts Department. He became a student of Master Liao Jichun and began his formal art education. Subsequently, he was admitted to the Art Department of Taiwan Provincial Normal University (now National Taiwan Normal University)[1].
Years at National Taiwan Normal University
In 1961, Ching-Jang Yao enrolled in the Fine Arts Department at Taiwan Provincial Normal University. Dissatisfied with the conservative teaching approach of the institution, he took the initiative to stay informed about global art trends and immersed himself in art and cultural information. In 1964, Yao, along with like-minded classmates Paul Chiang (1942-) and Ku Chung-kuang (1943-2020), formed the "Nian Dai Art Association." They held the first "Nian Dai Art Association Exhibition" at the Taiwan Provincial Museum (now National Taiwan Museum) in the same year, showcasing their abstract-style paintings[1].
Yao graduated in 1965 and married his classmate Zhang Hezhu in 1967. At the age of 28 (1969), he received the Honorary Award at the 5th Tokyo International Youth Artists Exhibition. He also represented Taiwan at the 10th São Paulo Art Biennial in the same year, with his works exhibited in various international modern art exhibitions[1]. Yao was influenced by Paul Klee (1879-1940), and during this period, his painting style approached abstract expressionism[1][2]. Unfortunately, in 1970, Yao and his wife's residence was destroyed in a fire, resulting in the loss of most of his early works[1].
Settling in New York
In 1970, Ching-Jang Yao held a solo exhibition at the Cellar Gallery in Chicago and later relocated to New York City at the end of the year. During that time, New York was experiencing the peak of hyperrealism, and Yao was influenced by American hyperrealist painters Richard Estes and Robert Cottingham. Inspired by the everyday scenes and cityscape of New York, he began creating works using a photorealistic approach[1][3].
Yao would capture street scenes in New York through photography and then translate them into oil paintings or watercolors[3]. Unlike the typical technique of using an airbrush, he opted for brushwork, resulting in paintings that juxtaposed reality and illusion, reflecting the modern urban life landscape[1][3]. The shift in Yao's artistic approach and vocabulary led him to become one of the exclusive artists collaborating with the Louis K. Meisel Gallery in New York in 1974[1]. During this period, he created two notable series: the Reflection Series and the Image Series, both exploring the theme of reflections and images.
Abstract Period (1984-2000)
In 1983, Ching-Jang Yao concluded his ten-year collaboration with the Louis K. Meisel Gallery and underwent a significant shift in his artistic style, transitioning from photorealism to abstraction. Art historian Wang Zhexiong believes that this transformation marked Yao's inevitable development from portraying the "objective world" in hyperrealism to interpreting his own "subjective world." [4]Starting from 1984, Yao began creating his "First Nature Series" in an abstract style. These works predominantly feature various lines and forms depicted with colored pencils, symbolizing natural elements such as wind, clouds, flowers, and grass[1][3].
In the 1990s, Yao continued his artistic journey by exploring abstract expressionism in his "Nature, Birds, and Earth" series. In these paintings, one can often find circular shapes and stylized representations of birds, flowers, trees, and the female body, each symbolizing different aspects of the natural universe and diverse meanings of life[3][4]. During this phase, Yao expanded his canvas beyond the conventional square shape, experimenting with circular canvases. Furthermore, from 1999 to 2000, he even produced artworks in diamond and hexagonal formats while still incorporating familiar visual elements and symbolism[1]. On November 14, 2000, Yao Ching-Jang passed away in New York due to a heart attack.
References
- ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 劉, 永仁 (2019). 微象．鏡映．姚慶章. 臺中市: 國立臺灣美術館. ISBN 978-986-5437-30-5.
- ↑ 謝, 里法 (1976-03-01). "姚慶章訪問記". 雄獅美術月刊. 雄獅圖書 (61): 54–57. Retrieved 2023-06-20 – via 雄獅美術知識庫.
- ↑ 3.0 3.1 3.2 3.3 3.4 李, 美玲 (2004-12-01). 臺灣現代美術大系•西方媒材類：超寫實風繪畫. 臺北市: 行政院文化建設委員會. ISBN 957-01-8553-8.
- ↑ 4.0 4.1 王, 哲雄 (1991-10-01). "自然、鳥與大地系列—姚慶章新作評介". 雄獅美術月刊. 雄獅圖書 (248): 214-216. Retrieved 2023-06-20 – via 雄獅美術知識庫.
External links
This article "Ching-Jang Yao" is from Wikipedia. The list of its authors can be seen in its historical. Articles taken from Draft Namespace on Wikipedia could be accessed on Wikipedia's Draft Namespace.