Adegboyega Arohunmolase

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Adegboyega Arohunmolase
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Born
Nigeria
EducationObafemi Awolowo University
Occupation
  • Multidisciplinary artist
  • Art educator
  • Researcher
  • Book illustrator

Àdégbóyègá Olukunle Aróhùnmolásè is a Nigerian-born multidisciplinary artist, art educator, researcher, and book illustrator based in the United States. He works primarily in painting and drawing, using unconventional materials like African, wax print fabric, enameled copper, hot glue and tufted rug with scholarly and studio interests centered on identity, migration, cultural heritage, and postcolonial discourse. He is an MFA graduate in Art and Design from Southern Illinois University Edwardsville (SIUE).[1]

Early life and education

Aróhùnmolásè earned a Bachelor of Arts in Fine and Applied Arts from Obafemi Awolowo University, Ile-Ife, Nigeria, in 2005.[2]

He later pursued graduate studies in the United States, completing a Master of Fine Arts (MFA) in Art and Design (Painting and Drawing) at Southern Illinois University Edwardsville between 2023 and 2025.[3]

Career

Teaching and academic work

At Southern Illinois University Edwardsville, Aróhùnmolásè served as a Teaching Assistant and Instructor of Record, teaching foundation studio courses including Drawing I and Visual Organization I.[4]

From 2016 to 2022, he was an Artist-in-Residence and Instructor at Picturesque Gallery & Institute of Fine Art in Akure, Nigeria, where he coordinated painting and sculpture programs and organized workshops and exhibitions.[5]

He previously served as Head of the Art & Design Department at Oxford Scholar Academy and taught art at Preston International School, integrating project-based and STEM-informed pedagogical approaches.[6]

Artistic practice

Aróhùnmolásè’s artistic practice examines themes of identity, displacement, memory, and cultural hybridity. His work often incorporates unconventional materials and draws from African visual traditions and postcolonial theory.[7]

His MFA thesis exhibition, Cartographies of Belonging: Identity and Heritage in Transit (2025), explored migration and cultural mapping through contemporary painting and mixed media.[8]

Exhibitions

Solo exhibitions

  • Cartographies of Belonging: Identity and Heritage in Transit, The Center for Spirituality and Sustainability (Buckminster Fuller Dome) Gallery, SIUE, Edwardsville, Illinois (2025)[9]

Selected group exhibitions

  • Survivorship: Serenity Exhibition, Gallery B, Bethesda, Maryland (2025)[10]
  • Angad Art Hotel Twelfth Biannual Exhibition, St. Louis, Missouri (2025)[11]
  • Beyond Boundaries, Blue Space Gallery International Exhibition (2025)[12]
  • TERAVARNA 13th Abstract International Juried Art Exhibition (2025)[13]

Awards and honors

Aróhùnmolásè has received multiple awards for his artistic and academic work, including the Hampton Richardson Coleman Smith Award of Excellence in Painting (2025) and the Friends of the Arts Auction First Place Award by Duane Reed Gallery, St. Louis.[14]

Publications and research

His scholarly work addresses postcolonial theory, African art, and STEAM education. He has published in peer-reviewed conference proceedings and academic repositories.[15]

Book illustration

Aróhùnmolásè has illustrated numerous literary works published in Nigeria, including children’s books and novels such as Folasade, The Magic Wine, and Nelly the Stubborn Goat.[16]

Professional affiliations

  • College Art Association of America
  • Society of Nigerian Artists
  • The International Academic Forum (IAFOR)
  • The Climate Reality Project

References

  1. "MFA Art and Design Program". Southern Illinois University Edwardsville. Retrieved 21 January 2026.
  2. Aróhùnmolásè, À. O. (2005). Teachers Reactions to the Problems and the Prospects of the Teaching and Learning of Fine Art in Selected Secondary Schools in Ondo West Local Government (BA thesis). Obafemi Awolowo University.
  3. "Graduate Student Research Grants Recipients". Southern Illinois University Edwardsville. Retrieved 21 January 2026.
  4. "Department of Art and Design Faculty and Graduate Instructors". Southern Illinois University Edwardsville. Retrieved 21 January 2026.
  5. "Picturesque Gallery and Institute of Fine Art Programs". Picturesque Gallery. Retrieved 21 January 2026.
  6. "Oxford Scholar Academy Academic Programs". Oxford Scholar Academy. Retrieved 21 January 2026.
  7. Aróhùnmolásè, À. O. (2025). Reimagining Art: The Fusion of Unconventional Materials and Cultural Narratives (Thesis). ProQuest. doi:10.13140/RG.2.2.34049.77921.
  8. "SIUE MFA Thesis Exhibitions". Southern Illinois University Edwardsville. Retrieved 21 January 2026.
  9. "MFA Thesis Exhibition Archive". Southern Illinois University Edwardsville. Retrieved 21 January 2026.
  10. "Gallery B Exhibitions". Gallery B Bethesda. Retrieved 21 January 2026.
  11. "Angad Arts Hotel Exhibitions". Angad Arts Hotel. Retrieved 21 January 2026.
  12. "Beyond Boundaries Exhibition". Blue Space Gallery. Retrieved 21 January 2026.
  13. "TERAVARNA Abstract Exhibition". TERAVARNA. Retrieved 21 January 2026.
  14. "SIUE Department of Art and Design Awards". Southern Illinois University Edwardsville. Retrieved 21 January 2026.
  15. Aróhùnmolásè, À. O.; Oladepo-Ajagbe, M. (2025). "A Comprehensive Review of Theoretical Approaches to Analyzing Yinka Shonibare's Art". European Conference on Arts & Humanities Proceedings: 263–280. ISSN 2188-1111.{{cite journal}}: CS1 maint: multiple names: authors list (link)
  16. Bamidele, Ayo (2022). Folasade. Rodah Molase Publishers. ISBN 978-978-59667-0-1.

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